Palæography: Notes upon the History of Writing and the Medieval Art of IlluminationQuaritch, Bernard
History
Palæography: Notes upon the History of Writing and the Medieval Art of Illumination
Quaritch, Bernard
Illumination of books and manuscripts; Paleography
_Arabia._--Arabian writing before the time of Mohammad is only known to us
under the name of Haurani and Nabathæan in the North, of Himyaritic in the
South. None of these scripts resembles the Islamic characters called
distinctively Arabic. The Gospel-script (Estrangelo) of the Syrians is the
nearest of all the Aramaic hands to that used by the earliest Mohammadans,
which (from its special cultivation in the town of Cufa) is called Cufic.
But even here, the resemblance is not so close as to make it improbable
that there was a link between them in some lost script of pre-Christian
days. The Cufic writing which prevailed for three centuries as the mode of
writing the Koran cannot strictly be shown to be the mother of the Naskhi
which replaced it and has flourished for a thousand years. It is clearly
older than the Naskhi in its forms, but the Naskhi has been proved to have
existed contemporaneously with the Cufic almost from the beginning of
Mohammadanism. After the third century of the Hijra, the Cufic was only
retained for ornamentation and head-lines. By that time the Arab conquests
had created a vast Mohammadan empire; the Syrians, the Persians, and the
Egyptians were obliged to give up their old scripts, and to accept that of
their conquerors. Arabic writing occupied not only all {21}the seats in
which Phoenician letters had been used fifteen centuries before, but even a
far larger area. The writing and the language were used and known from
Seville to the frontiers of India. Soon after, India likewise fell a prey;
and Arabic letters have been used there ever since by the Mohammadan
population. The elegant script called Talik, which was peculiar to the
Persians (but has been borrowed in India), was developed in the fourteenth
century. It differs little, except in gracefulness, from the typical
Naskhi.
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