Palace and Mosque at Ukhaidir: A Study in Early Mohammadan ArchitectureBell, Gertrude Lowthian
History
Palace and Mosque at Ukhaidir: A Study in Early Mohammadan Architecture
Bell, Gertrude Lowthian
Iraq -- Antiquities; Mosques; Ukheidar
The breaking up of the wall-face into horizontal zones was a device
familiar to the ancient East. In the main gateway of Sargon’s palace at
Khorsâbâd the wall is divided into a high orthostatic podium, decorated
with reliefs, and a brick superstructure diversified by vertical flutes
and rectangular recesses.[271] In the interior of the palace, the court
of the ḥaram shows a similar disposition, except that the podium is of
enamelled brick, not of stone.[272] The upper part of the walls is in no
case preserved. On Assyrian reliefs it is not uncommon to find a
horizontal band along the top of the walls below the crenellations;[273]
but the nature of the upper zone or zones in decorated façades such as
those of Khorsâbâd is a matter of conjecture. Concerning Chaldaean wall
decoration we have little evidence. The building on the Wuswas mound at
Warka, of which Loftus published a sketch,[274] has recently been
re-examined by Dr. Jordan, who believes it to be post-Babylonian.[275]
The walls of the temple of Bel at Niffer were decorated with shallow
buttresses, while the gates bore resemblance, both in plan and
decoration, to the gates of Khorsâbâd.[276] The gateway of Gudea at
Tellôh has the same doubly recessed rectangular niches that have been
noted at Khorsâbâd, but they do not seem to have been grouped in panels,
and the plinth is reduced to insignificant proportions.[277] It is
significant that in the post-Babylonian construction at Tellôh both the
rectangular niche and the flute are present, and it may be surmised that
the walls of Wuswas, with their recessed and fluted panels placed one
above the other, represent an ancient scheme. It is a scheme which may
be compared with that of the façade of Ctesiphon (see below, p. 134). At
intervals groups of recessed niches are carried up continuously to the
height of two registers of panels, just as in the two lower zones at
Ctesiphon the engaged columns embrace two registers of arched niches.
But at Ctesiphon we have architectural forms borrowed from Hellenism
instead of the surface decoration (recess and flute) of Chaldaea and
Assyria.
Public-domain text, read in full here on John Shaqi.
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