Our readers have seen Marie Antoinette years ago, and only for a
moment—the girlish, beautiful, and lovely Dauphiness, burdened with no
care heavier than that imposed by court etiquette, and anxious only
about the day’s amusement. They see her again escaping from the
anxieties that beset St. Cloud and Versailles, striving to bring back
the light-hearted gayeties of her youth in _La Petite Trianon_, which of
all places on earth seemed most likely to accomplish that object.
On the day that Marguerite presented herself at the gates of Versailles,
Marie Antoinette was making one of her rustic sojourns at the little
palace, while the king, glad to escape from cares equally burdensome,
had retreated into the private chamber, in which an anvil and a chest of
tools promised him at least amusement equal to any she could hope for.
It is true that matters of state called for royal attention; that the
cries of a suffering and impatient people ought to have been heard, even
among the click of locks and rasping of files; but it was the fault of
this really good man, that he was always ready to put away troublesome
cares, and permitted others to think for him, save where, with a
stubborn sense of right, he would persist on a given point without
understanding all its relations. Indeed, at this time the burdens of
state were so heavy, that a greater man might have willingly laid them
down, even for the primitive employment which Louis loved so well.
That day Louis the Sixteenth was alone in his work-shop. A furnace was
all aglow in the chimney, and a bench across one of the windows, was
scattered over with tools. To this bench a vise was attached, and a
heavy man, somewhat awkward in his movements, was hard at work there.
His velvet coat, heavy with gold-lace and embroidery, hung across the
back of a chair, and a diamond star on the breast shot out gorgeous rays
of light, whenever a fitful flame from the furnace flashed up and
quivered over it.
Public-domain text, read in full here on John Shaqi.
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