Palissy the Huguenot Potter: A True TaleBrightwell, C. L. (Cecilia Lucy)
History
Palissy the Huguenot Potter: A True Tale
Brightwell, C. L. (Cecilia Lucy)
Palissy, Bernard, 1510?-1590
“God is the refuge of his saints,
When storms of sharp distress invade.”
And the little Nicole, who is busily occupied in mimic pottery-work at
the door of the shed, chimes in with his small voice, and beats the time
with his wooden spade. Lisette’s face brightened as she listened, and
with cheerful tones, she summoned Bernard indoors, and bade the little
boy lead his sister back.
Notwithstanding Palissy’s psalmody and the cheerful face he wore, matters
were far from satisfactory at this peculiar juncture. In fact, he had
just undergone a heavy disappointment, and was secretly making up his
mind to a step which it cost him a grievous heartache to have recourse
to. Seeing that all his experiments with his own furnace had proved
failures, he determined to adopt a new scheme, and send the compositions
to be tested in the kiln of some potter. For this purpose he bought a
large stock of crockery, which according to custom, he broke into small
fragments; three or four hundreds of which he covered with various
mixtures, and sent to a pottery some league and a half off, requesting
the workmen to bake this strange batch with their own vessels. They
consented readily to let the amateur potter try his experiments; but
alas! when the operation was complete, and the trial pieces were drawn
out, they proved absolutely worthless. Not the smallest appearance of
the longed-for enamel was to be seen on any of them. The cause of the
failure was a secret, at the time, to the grievously disappointed
Bernard, and he returned home heavily discouraged, for he knew that his
wife and children were deprived of many comforts they might have enjoyed,
had he continued steadily at his occupation of glass-working and
surveying. What was to be done? “Begin afresh.” And so, again he fell
to work, compounding and grinding, and sending more batches to the same
potters to be baked as before. This he had continued to do time after
time, “with great cost, loss of time, confusion, and sorrow.”
[Picture: . . the trial pieces were . . absolutely worthless]
At length a more than usually trying failure had occurred, and many
things combined to warn our artist that he must desist for a season and
procure some remunerative work. His home resources were completely
exhausted; while the home wants had greatly multiplied, and he could not
be blind to the sorrowful looks of the woman he loved, nor indifferent to
the necessities of his babes.
Public-domain text, read in full here on John Shaqi.
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