Palos of the Dog Star PackGiesy, J. U. (John Ulrich)
Science
Palos of the Dog Star Pack
Giesy, J. U. (John Ulrich)
Astral projection -- Fiction; Life on other planets -- Fiction; Science fiction
"He comes on matters of state." Prince Lakkon's reply was almost rudely
sharp and short. As he ended his answer he sighed and lifted himself
to a cross-legged seat. "Ah, here we are at the gate. Naia, there is
nothing finer in all Tamarizia than this. No, not even in Zitra itself."
Whether he uttered the exact truth or not Croft did not then know, but
as he gazed from the coach between the curtains of fluttering purple he
was inclined to agree.
They had come to a place outside the walls--those monster walls Croft
had seen hours ago, shining a dull deep red in the morning sun. Now
close by, they towered above him in their mighty mass--still red--a
deep, ruddy red with an odd effect of a glaze on the surface of what
he could now perceive was some sort of artificial building block laid
in cement. So far as he could judge, the wall rose a good hundred feet
above the road and stretched away on either side, strengthened and
guarded every so far by a jutting tower as far as his eye could reach.
Where they now stood the road came down to the bank of the river on a
wide-built approach made of stone masonry laid in cement, protected on
the shoreline by a wall or rail, fully six feet wide across its top,
which was provided every so far with huge stone urns, blackened about
their upper edges as though from fire. Croft recognized their purpose
as that of flaming beacons to light the wide stone esplanade before the
gate at night.
Beyond the wall was the river--a vast yellow flood, moving slowly
along. It was at least a half-mile wide where it met the wall. And the
wall crossed it on a series of arches, leaving free way for the boats
Croft now saw upon the yellow water, equipped with sails and masts,
making slow advance against the current, or driven perhaps by their
crews at long sweeplike oars. He noted that each arch was guarded by
what seemed gates of metal lattice, and that drawn up above each was a
huge metal door which could be let down in case of need to present an
unbroken outward front above the surface of the flood.
It was a wonderful sight, river, wall, and wide-paved approach as
the gnuppas drew the carriage swiftly toward the gates. Then it all
vanished. Croft caught sight of two men dressed something like ancient
Roman soldiers, huge, powerful fellows, with metal cuirass, spear and
shield, barelegged half up their thighs where a short skirt extended,
their shins covered by metal greaves, their heads inside metal casques
from the top of which sprouted a tuft of wine-red plumes.
They stood beside the leaves of two huge doors, fashioned from copper,
as it seemed to Croft, things solidly molded, carved, graved, and
embossed in an intricate design. These doors were open and the carriage
darted through, entering a shadowy tunnel in the wall itself.
Public-domain text, read in full here on John Shaqi.
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