Palos of the Dog Star PackGiesy, J. U. (John Ulrich)
Science
Palos of the Dog Star Pack
Giesy, J. U. (John Ulrich)
Astral projection -- Fiction; Life on other planets -- Fiction; Science fiction
There was also a group done in some stone of a translucent white, at
the foot of each great stair. One, Croft noted, depicted a man and a
woman locked in each other's arms. The other showed a winged figure,
binding up the broken pinion of a bird. "Love" and "Mercy" he thought.
If this were a sample of the ideal of this people, they must be a
nation worth while.
So much he saw, and then Naia seated herself on a chair of a wine-red
wood, set beside a hedge of some unknown vegetation which enclosed a
splendid central space of the crystal floor.
Bazka had disappeared, but now came the sound of voices, and the
servants appeared, emerging from a passage beneath one of the stairs.
There were several members of both sexes in the group, and, like Bazka
himself, one and all wore no more than a purple apron about the thighs.
Croft was to learn in the end that the Palosians wore clothing more as
a protection against the elements than for any desire to conceal the
form; and with that fact he was to find them a highly moral people none
the less.
Now, though their apparel, or lack of it, was something of a shock
to his sense of conventions, as the men and women of the blue tribe
advanced to greet their mistress in her chair, and listen to those
directions she gave, he found himself wondering if they were slaves.
Indeed he so regarded them until he knew more of the planet to which he
had come. Then he knew slavery no longer existed among the Tamarizians,
and that the blue men and women were the children of former slaves
captured in wars, but now freed, given the rights of citizenship and
paid by those whom they served.
In the end Naia turned to one of the women and ordered her to go to a
cloth merchant and bid him attend her at once, with fabrics from which
to choose her gown. That done, she dismissed each to his or her task,
rose, and moved down the court. Croft followed as she went, mounted one
of the yellow stairs, and came out on the upper balcony, down which she
passed over an inlaid floor, beside walls frescoed with what he took to
be scenes of Palosian history and social life.
She paused at a door fashioned from the wine-red wood, set it open,
and entered an apartment plainly her own. Its walls were faced with
the same yellow stone used in the stairs. Purple draperies broke the
color here and there. Purple curtains hung beside two windows which
she set open, turning the casings on hinges, to let in the air. In the
center of the floor, which was covered with woven rugs and the skins of
various beasts, was a circular metal basin holding water in a shallow
pool. On one side was a pedestal of gold supporting a pure white
miniature of a winged male figure, poised on toes as if about to take
flight.
Public-domain text, read in full here on John Shaqi.
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