Palos of the Dog Star PackGiesy, J. U. (John Ulrich)
Science
Palos of the Dog Star Pack
Giesy, J. U. (John Ulrich)
Astral projection -- Fiction; Life on other planets -- Fiction; Science fiction
The face of the statue was divine--the face of a man, superbly strong,
broad-browed, and with purity and strength writ in its every line.
The head and face were wrought in purest white as were the bared left
shoulder and arm. Below that the figure was portrayed as clad in gold,
which was also the material used in modeling the staff crowned by a
loop and cross-bar, grasped by the hand of the extended left arm. The
man was portrayed as seated on a massive throne. Now as the sun's rays
struck full upon it, it seemed that the strong face glowed with an
inward fire.
On either side of the statue stood a living man, shaven of head,
wearing long white robes which extended to their feet. Each held in
his hand a miniature replica of the stave held by the statue--a staff
crowned by a golden cross-bar and loop.
Croft started. This was the _crux ansata_ of the ancient Egyptians in
all outward form--the symbol of life everlasting, of man's immortality.
And he found it here on Palos on the top of a pyramid.
The chant he had heard was growing louder. It held a feminine timbre
to his ears. At the rear of the temple a curtain swept aside seemingly
of its own volition and a procession appeared. It was formed of young
girls--their hair garlanded with flowers, each carrying a flaming
blossom in her hand. They advanced, singing as they came, to form a
kneeling circle in front of the monster statue on its throne.
They were clad in purest white, unadorned from their rosy shoulders
to their dimpled knees save for a cincture of golden tissue which ran
about the neck, down between the breasts, back about the body, and
around to fasten in front like a sash with pendent ends, which hung in
a golden fringe to the edge of the knee-length skirt.
And as they advanced and knelt and rose and cast their offering of
flowers before the glowing statue, they continued to chant the harmony
which had first reached Croft's ear. In it the word Zitu recurred,
again and again. Zitu then was the name of the statue--the name of the
god. He listened intently and finally gained the purport of the hymn.
"Zitu, hail Zitu!
Father of all life!
Who through thy angels
Give life and withdraw it,
Into our bodies--out of our bodies;
God--the one god--
Accept our praise."
The chant died and the singer turned back behind the curtain, which
swung shut as they passed. Croft left the temple and stood on the
top of its broad approach, gazing across the river at the vast white
structure which he had first seen at a distance that morning, and which
now stretched directly before his eyes. It came to him that this was
the capital of Aphur--the palace of that Jadgor--Prince Lakkon had
mentioned, brother of Naia's mother, as he was to learn. Bent on seeing
the man who aspired to Tamarizia's imperial throne at close quarters,
he willed himself toward the far-flung white pile.
Public-domain text, read in full here on John Shaqi.
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