Palos of the Dog Star PackGiesy, J. U. (John Ulrich)
Science
Palos of the Dog Star Pack
Giesy, J. U. (John Ulrich)
Astral projection -- Fiction; Life on other planets -- Fiction; Science fiction
Five minutes later, accompanied by Maia, who bore fresh robes, she
left the room and led the way to one end of the corridor and through
a small door to an outer stair. Descending that she passed through a
sort of sunken garden, laid out in odd geometric designs and planted
with shrubs and trees and flowers, among which gleamed the white of
ornamental urns, fire-urns, and statues toward a low, white wall in
which an opening appeared. Passing this, she turned about the angle
of a protecting inner stone screen and stood on the margin of an open
bath, its water clear as crystal and tinted a delicate amber from the
yellow bottom and sides of the peculiar onyxlike stone.
Naia bathed. Refusing to spy upon her, Croft waited without the
concealing wall, while twilight fell and the sounds of soft splashings
came to his ear. The bath took a long time. Croft fancied the girl
found some vague comfort in the soft, warm kiss of the waters tempered
all day by the sun--that to lie wrapped in their liquid caress soothed
somewhat her spirit, torn by the revelations her recent journey had
held. While he waited twilight deepened, and after a time a softer
light stole through the garden.
He lifted his gaze to the skies. Three moons hung there, casting their
blended light over mountain and valley and plain. Vaguely he wondered
which of the three he had visited during the night before--that night
with its weird experience, ending on the edge of this day which, after
all, had been but little less weird--this day in which he had found and
recognized and yielded to the one feminine counterpart of his nature,
only to find her destined to another less worthy than himself, and to
know himself unable to intervene between her and her fate.
* * * * *
While he sat there brooding the whole strange situation--a man in all
save material body--a consciousness, suffering all the pangs of spirit
he was unable to physically express, Naia came forth and moved with her
accompanying servant, a pure, white figure, through the garden to the
house.
Like her shadow, Croft pursued her every step. He stood beside her
while she sat waiting for the evening meal. He was behind her when she
reclined on the couch beside the table, opposite her father, and ate.
He dogged her steps when she once more sought the quiet of her room,
and bade Maia leave her for the night.
Hence he witnessed what no other eyes beheld as the flaring oil-lamp,
with its guttering wick little better than a candle extinguished, and
the apartment flooded only by the light of the Palosian moons, she
knelt by the mirror basin, before the winged figure on the wine-red
pedestal.
And he heard what no other ears save her own could hear as she lifted
her hands to the figure, before which she knelt--the cry of her
soul--her womanhood's suppliant prayer.
Public-domain text, read in full here on John Shaqi.
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