are never taken to it.
At about fifteen, Hamsun had an experience which is rarely mentioned as
part of the scant biographical material made available by his reserve
concerning his own personality. He returned to the old home of his
parents in the Gudbrand Valley and worked for a few months as clerk in a
country store--a store just like any one of those that figure so
conspicuously in almost every one of his novels. The place and the work
must have made a revolutionary impression on him. It apparently aroused
longings, and it probably laid the basis for resistances and resentments
that later blossomed into weedlike abundance as he came in contact with
real city life. There runs through his work a strange sense of sympathy
for the little store on the border of the wilderness, but it is also
stamped as the forerunner and panderer of the lures of the city.
As a boy of eighteen, when working in a tiny coast town as a cobbler's
apprentice, he ventured upon his first literary endeavors and actually
managed to get two volumes printed at his own cost. The art of writing
was in his blood, exercising a call and a command that must have been
felt as a pain at times, and as a consecration at other times. Books
and writing were connected with the city. Perhaps the hatred that later
days developed, had its roots in a thwarted passion. Even in the little
community where his first scribblings reached print he must have felt
himself in urban surroundings, and perhaps those first crude volumes
drew upon him laughter and scorn that his sensitive soul never forgot.
If something of the kind happened, the seed thus sown was nourished
plentifully afterwards, when, as a young man, Hamsun pitted his
ambitions against the indifference first of Christiania and then of
Chicago. The result was a defeat that seemed the more bitter because it
looked like punishment incurred by straying after false gods.
Public-domain text, read in full here on John Shaqi.
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