Taking it all in all, one may well call Hamsun old-fashioned. The
virtues winning his praise and the conditions that stir his longings are
not of the present day. There is in him something primitive that forms a
sharp contrast to the modernity of his own style. Even in his most
romantic exaggerations, as in “Hunger” and “Mysteries,” he is a realist,
dealing unrelentingly with life as it appears to us. It would hardly be
too much to call his method scientific. But he uses it to aim tremendous
explosive charges at those human concentrations that made possible the
forging of the weapons he wields so skilfully. Nor does he stop at a
wish to see those concentrations scattered. The very ambitions and
Utopias bred within them are anathema to his soul, that places
simplicity above cleanliness in divine proximity. Characteristically we
find that the one art treated with constant sympathy in his writings is
that of music, which probably is the earliest and certainly the one
least dependent on the herding of men in barracks. In place of what he
wishes to take away he offers nothing but peace and the sense of genuine
creation that comes to the man who has just garnered the harvests of his
own fields into his bulging barns. He is a prophet of plenty, but he has
no answer ready when we ask him what we are going to do with it after we
have got it. Like a true son of the brooding North, he wishes to set us
thinking, but he has no final solutions to offer.
EDWIN BJÖRKMAN.
PAN
I
These last few days I have been thinking and thinking of the Nordland
summer, with its endless day. Sitting here thinking of that, and of a
hut I lived in, and of the woods behind the hut. And writing things
down, by way of passing the time; to amuse myself, no more. The time
goes very slowly; I cannot get it to pass as quickly as I would, though
I have nothing to sorrow for, and live as pleasantly as could be. I am
well content withal, and my thirty years are no age to speak of.
A few days back someone sent me two feathers. Two bird's feathers in a
sheet of note-paper with a coronet, and fastened with a seal. Sent from
a place a long way off; from one who need not have sent them back at
all. That amused me too, those devilish green feathers.
And for the rest I have no troubles, unless for a touch of gout now and
again in my left foot, from an old bullet-wound, healed long since.
Public-domain text, read in full here on John Shaqi.
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