Panama and the Canal in Picture and ProseAbbot, Willis J. (Willis John)
History
Panama and the Canal in Picture and Prose
Abbot, Willis J. (Willis John)
Panama Canal (Panama) -- History
Again I looked on the Cut from above one morning before the breeze that
blows across the Isthmus from nine o’clock in the morning until sundown,
had driven out of it the mists of early dawn. From unseen depths filled
with billowy vapor rose the clatter of strenuous toil by men and
machines, softened somewhat by the fleecy material through which they
penetrated. Of the workers no sign appeared until the growing heat of
the sun and the freshening breeze began to sweep the Cut clear in its
higher reaches, and there on the topmost terrace of Gold Hill, half a
mile across the abyss from where I stood, was revealed a monster steam
shovel digging away at the crest of the hill to lighten the weight that
was crowding acres upon acres of broken soil into the canal below. It
seemed like a mechanical device on some gigantic stage, as with
noiseless ferocity it burrowed into the hillside, then shaking and
trembling with the effort swung back its long arm and disgorged its huge
mouthful on the waiting flat cars. The curtain of mist was slowly
disappearing. From my lofty eyrie on an outjutting point of Contractor’s
Hill it seemed as if the stage was being displayed, not by the lifting
of a curtain, but rather by the withdrawal of a shield downward so that
the higher scenery became first visible. One by one the terraces cut
into the lofty hillsides were exposed to view, each with its line of
tugging steam shovels and its rows of motionless empty cars, or rolling
filled ones rumbling away to the distant dump. Now and again a sudden
eruption of stones and dirt above the shield of fog followed in a few
seconds by a dull boom told of some blast. So dense was the mist that
one marvelled how in that narrow lane below, filled with railroad
tracks, and with busy trains rushing back and forth men could work save
at imminent danger of disaster. Death lurked there at all times and the
gray covering of fog was more than once in the truest sense a pall for
some poor mutilated human frame.
[Illustration: _Photo by Underwood & Underwood_
A LIDGERWOOD UNLOADER AT WORK]
Public-domain text, read in full here on John Shaqi.
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