Panama and the Canal in Picture and ProseAbbot, Willis J. (Willis John)
History
Panama and the Canal in Picture and Prose
Abbot, Willis J. (Willis John)
Panama Canal (Panama) -- History
In the car shown in the upper right-hand corner is the Queen of the
Carnival of 1913]
We have tried carnivals in various of our more cold-blooded American
cities, but we cannot get the spirit. Our floats are more artistic and
expensive, our decorations are more lavish, but we sit and view the
parade with detached calmness as though the revelers were hired clowns.
In Panama everybody joins in the sport. The line of carriages around the
park in the Plaza Centrale, thence by the Avenida to the Plaza Santa Ana
and back is unbroken. The confetti falls like a January snow and the
streets are ankle deep. Everyone is in mask and you can never tell
whether the languishing eyes peering out upon you are set in a face of
pearl or of ebony. The noise of innumerable horns and rattles rises to
Heaven and reverberates in the narrow streets, while the bells jangle
out of tune, as is their custom. Oh, those bells of Panama! Never were
so many peals and chimes out of harmony. Stedman, who heard them only in
an ordinary moment, not in their Mardi Gras madness, put them to verse
thus:
“Loudly the cracked bells overhead
Of San Francisco ding
With Santa Ana, La Merced,
Felipe answering.
Banged all at once, and four times four
Morn, noon and night the more and more,
Clatter and clang with huge uproar,
The bells of Panama”.
[Illustration: THE ANCIENT CATHEDRAL
Its towers have looked down on carnival, revolution, revelry and riot]
Señoritas of sundry shades look down sweetly from the balconies, and
shower confetti on gallant caballeros who stalk along as giant
chanticleers, or strive to entangle in parti-colored tapes the lances of
a gay party of toreadors. At night some of the women enmesh giant
fireflies in their raven locks with flashing effect. King License rules
supreme, and some of the horseplay even in the brightly lighted cafés of
the Centrale and Metropolitan rather transcends the limits of coldly
descriptive prose. The natives will tell you that the Cathedral Plaza is
the center of propriety; the Plaza Santa Ana a trifle risqué. After
observation and a return at daybreak from the carnival balls held at the
Centrale and Metropolitan Hotels you can meditate at your leisure upon
the precise significance of the word propriety in Panama at Mardi Gras.
[Illustration: _Photo by Underwood & Underwood_
THE POLICE STATION, PANAMA]
Public-domain text, read in full here on John Shaqi.
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