Panama and the Canal in Picture and ProseAbbot, Willis J. (Willis John)
History
Panama and the Canal in Picture and Prose
Abbot, Willis J. (Willis John)
Panama Canal (Panama) -- History
Life in Panama City is mainly outdoor life, in the dry season at any
rate, and even in the wet season the Panamanians move about in the open
like a lot of damp and discontented flies. The almost continuous line of
balconies shields the sidewalks from the rain, and nobody in Panama is
too busy to stop a half hour or so at street crossings for the downpour
to lessen. Sunday nights the band of the Republic plays in the Plaza,
and there all the people of the town congregate to listen to the music,
promenade and chat. It is the scene of that curious Latin-American
courtship which consists of following the adored one with appealing
eyes, but never by any possibility speaking to her. The procession of
girls and women is worth watching, whether the eyes be adoring or not,
and the costumes have a sort of strangeness befitting the scene. The
practice has grown up of leaving the outer walk for the negro and
negroid people, the inner paths being kept for the whites--but as the
walks merge into each other so too do the colors. If one wearies of the
moving crowds without, a step will bring him into the patio of the Hotel
Centrale where an excellent orchestra plays, and a gathering chiefly
native sips tropical drinks and disposes of the political issues of the
day with much oratory and gesticulation.
[Illustration: ON PANAMA’S BATHING BEACH]
As you make your way back to the hotel at night--if it is after eleven,
the driver will lawfully charge you twenty cents--you will vainly try to
recall any North American town of 40,000 people which can present so
many objects of interests to the visitor, and a spectacle of social life
so varied, so cosmopolitan and so pleasing.
[Illustration: _Photo by Underwood & Underwood_
QUARANTINE STATION AT PACIFIC ENTRANCE TO CANAL]
Public-domain text, read in full here on John Shaqi.
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