Panama and the Canal in Picture and ProseAbbot, Willis J. (Willis John)
History
Panama and the Canal in Picture and Prose
Abbot, Willis J. (Willis John)
Panama Canal (Panama) -- History
Miguel lived on the banks of the Chagres River, about half way between
Cruces and Alhajuela. To him Cruces was a city. Were there not at least
thirty huts of bamboo and clay thatched with palmetto like the one in
which he lived? Was there not a church of sawn boards, with an altar to
which a priest came twice a month to say mass, and a school where a
gringo taught the children strange things in the hated English tongue?
Where he lived there was no other hut within two or three hours poling
up the river, but down at Cruces the houses were so close together you
could almost reach one while sitting in the shade of another. At home
after dark you only heard the cry of the whippoorwill, or occasionally
the wail of a tiger cat in the jungle, but at Cruces there was always
the loud talk of the men in the cantina, and a tom-tom dance at least
once a week, when everybody sat up till dawn dancing to the beat of the
drums and drinking the good rum that made them all so jolly.
But greater than Cruces was the Yankee town of Matachin down on the
banks of the river where the crazy Americans said there was going to be
a lake that some day would cover all the country, and drown out Cruces
and even his father’s house. They were paying all the natives along the
river for their lands that would be sunken, and the people were taking
the pesos gladly and spending them gaily. They did not trouble to move
away. Many years ago the French too said there would be a lake, but it
never came and the French suddenly disappeared. The Americans would
vanish the same way, and a good thing, too, for their thunderous noises
where they were working frightened away all the good game, and you could
hardly find an iguana, or a wild hog in a day’s hunting.
[Illustration: _Photo by Underwood & Underwood_
THE MEETING PLACE OF THE CAYUCAS]
Public-domain text, read in full here on John Shaqi.
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