Panama and the Canal in Picture and ProseAbbot, Willis J. (Willis John)
History
Panama and the Canal in Picture and Prose
Abbot, Willis J. (Willis John)
Panama Canal (Panama) -- History
The story of Old Panama may be reserved for a later chapter, even though
the rise and fall of both Nombre de Dios and Porto Bello were chiefly
dependent upon the chief Spanish city of the Pacific coast. For great as
was the store of gold, silver and jewels torn from the Isthmian Indians
and sent from these Spanish ports back to Spain, it was a mere rivulet
compared to the flood of gold that poured through the narrow trails
across the Isthmus after Pizarro began his ravishment of Peru. With the
conquest of the Land of the Incas, and the plunder thereof that made of
the Isthmus a mighty treasure house attracting all the vampires and
vultures of a predatory day, we have little to do here. Enough to point
out that all that was extorted from the Peruvians was sent by ship to
Panama and thence by mule carriage either across the trail to Nombre de
Dios or Porto Bello, or else by land carriage to some point on the
Chagres River, usually Venta Cruces, and thence by the river to San
Lorenzo and down the coast to Porto Bello. Nor did the mules return with
empty packs. The Peruvians bought from the bandits who robbed them, and
goods were brought from Spain to be shipped from Panama to South America
and even to the Philippines.
It seems odd to us today with “the Philippine problem” engaging
political attention, and with American merchants hoping that the canal
may stimulate a profitable Philippine trade, that three hundred years
ago Spanish merchants found profit in sending goods by galleons to Porto
Bello, by mule-pack across the Isthmus and by sailing vessel again to
Manila. Perhaps to the “efficiency experts” of whom we are hearing so
much these days, it might be worth while to add some experts in
enterprise.
[Illustration: _Photo by Underwood and Underwood_
RUINED SPANISH FORT AT PORTO BELLO
Now used as an American cemetery. The site is one of infinite beauty,
but the cemetery is neglected]
Public-domain text, read in full here on John Shaqi.
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