"Now what am I supposed to do here?" Mary wondered aloud. "Clean up, he
says. Find out where things are, he says. Get acquainted with the place,
he says. I could spend a month doing that." She looked at the littered
bench, the wall cabinets with sliding doors half open, the jars of
reagents sitting on the sink, the drainboard, on top of the refrigerator
and on the floor. The disorder was appalling. "How he ever manages to
work in here is beyond me. I suppose that I'd better start
somewhere--perhaps I can get these bottles in some sort of order first."
She sighed and moved toward the wall cabinets. "Oh well," she mused, "I
asked for this."
* * * * *
"Didn't you hear that buzzer?" Kramer asked.
"Was that for me?" Mary said, looking up from a pile of bottles and
glassware she was sorting.
"Partly. It means they've sent us another post-mortem from upstairs."
"What is it?"
"I don't know--man or monkey, it makes no difference. Whatever it is,
it's Thurston's Disease. Come along. You might as well see what goes on
in our ultra modern necropsy suite."
"I'd like to." She put down the bottle she was holding and followed him
to a green door at the rear of the laboratory.
"Inside," Kramer said, "you will find a small anteroom, a shower, and a
dressing room. Strip, shower, and put on a clean set of lab coveralls
and slippers which you will find in the dressing room. You'll find
surgical masks in the wall cabinet beside the lockers. Go through the
door beyond the dressing room and wait for me there. I'll give you ten
minutes."
* * * * *
"We do this both ways," Kramer said as he joined her in the narrow hall
beyond the dressing room. "We'll reverse the process going out."
"You certainly carry security to a maximum," she said through the mask
that covered the lower part of her face.
"You haven't seen anything yet," he said as he opened a door in the
hall. "Note the positive air pressure," he said. "Theoretically nothing
can get in here except what we bring with us. And we try not to bring
anything." He stood aside to show her the glassed-in cubicle overhanging
a bare room dominated by a polished steel post-mortem table that
glittered in the harsh fluorescent lighting. Above the table a number of
jointed rods and clamps hung from the ceiling. A low metal door and
series of racks containing instruments and glassware were set into the
opposite wall together with the gaping circular orifice of an open
autoclave.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account