It was in the course of the evening after the scene with the Captain that
he joined her, awkwardly, abruptly, irresistibly, on the deck, where she
was pacing to and fro alone, the hour being auspiciously mild and the
stars remarkably fine. There were scattered talkers and smokers and
couples, unrecognisable, that moved quickly through the gloom. The
vessel dipped with long regular pulsations; vague and spectral under the
low stars, its swaying pinnacles spotted here and there with lights, it
seemed to rush through the darkness faster than by day. Count Otto had
come up to walk, and as the girl brushed past him he distinguished
Pandora’s face—with Mrs. Dangerfield he always spoke of her as
Pandora—under the veil worn to protect it from the sea-damp. He stopped,
turned, hurried after her, threw away his cigar—then asked her if she
would do him the honour to accept his arm. She declined his arm but
accepted his company, and he allowed her to enjoy it for an hour. They
had a great deal of talk, and he was to remember afterwards some of the
things she had said. There was now a certainty of the ship’s getting
into dock the next morning but one, and this prospect afforded an obvious
topic. Some of Miss Day’s expressions struck him as singular, but of
course, as he was aware, his knowledge of English was not nice enough to
give him a perfect measure.
“I’m not in a hurry to arrive; I’m very happy here,” she said. “I’m
afraid I shall have such a time putting my people through.”
“Putting them through?”
“Through the Custom-House. We’ve made so many purchases. Well, I’ve
written to a friend to come down, and perhaps he can help us. He’s very
well acquainted with the head. Once I’m chalked I don’t care. I feel
like a kind of blackboard by this time anyway. We found them awful in
Germany.”
Public-domain text, read in full here on John Shaqi.
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