Papers from LilliputPriestley, J. B. (John Boynton)
General
Papers from Lilliput
Priestley, J. B. (John Boynton)
English essays -- 20th century
a brainy occupation, but perhaps a trifle prosaic and needing an indoor
setting; in the very next number the balance is restored by a tale of a
smart young correspondence school pupil who turns bee-keeper, which
brings in a flavour of the open air and sunlit gardens, and is not
without a touch of poetry; while in the following number we return once
more to the city, with all its romantic bustle, and breathlessly follow
the swelling fortunes of a square-jawed young plumber; and so it goes
on.
By such means our editor has taken care to achieve both unity and
variety in the stories at his disposal. What we thought at first
restrictions pressing somewhat heavily upon the story-teller are now
seen to be hints for his guidance, aids without which he cannot expect
to be successful in this kind of fiction. If there are men of more than
ordinary talent, born story-tellers, among us waiting for an opening,
let them take leave of the stuff they have been writing, worn-out
romance and so forth, all tears and tatters or mere coloured foppery,
let them keep pace with the times, for here in the pages of _Ambition_
is opportunity indeed. While they are pushing hero after hero along the
road to success they can surely make shift to advance themselves ‘in
position and earnings.’
A MAD SHEPHERD
The world is at once saner and yet more given to lunacy than it used to
be, for the people outside asylums are saner than their grandfathers
were, yet there are greater numbers under some sort of treatment, or at
least under lock and key, for madness. I do not know whether it is
because there is increasing harbourage for lunatics in our time, or
because it is merely becoming more difficult, every year, in the face of
specialists whose own sanity is never questioned, to prove that one is
not yet ready for the madhouse; but it is clear that the eccentrics and
half-wits who chuckled and grimaced in our older literature, through the
long tales of our grandparents, are fast disappearing. A host of notable
figures in Shakespeare, from Hamlet to Petruchio, would not be suffered
to walk abroad these days unless they piped in a lower key. It is a
great pity that all the crack-brained, whimsical fellows are leaving
us; we need a little variety in our experiments with existence, for
there is a danger that we are all crazed and have only decided for
unanimity, that we are Mad Hatters who will not suffer a March Hare; and
these others, extravagant but harmless, have their own visions of life
and we cannot prove them wrong, but can only point to the majority--a
trick unworthy of us.
Public-domain text, read in full here on John Shaqi.
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