Paradise Garden: The Satirical Narrative of a Great ExperimentGibbs, George
General
Paradise Garden: The Satirical Narrative of a Great Experiment
Gibbs, George
Man-woman relationships -- Fiction; Satire
I only repeat this ingenuous and unimportant conversation to show my
first impression of what seemed to me then to be a rather commonplace
and colorless boy. I did not realize then how strong could be the
effect of such an environment. Miss Redwood, as I soon discovered, was
a timid, wilting individual, who had brought him successfully through
the baby diseases and had taught him the elementary things, because
that was what she was paid for, corrected his table manners and tried
to make him the kind of boy that she would have preferred to be
herself had nature fortunately not decided the matter otherwise, and
chameleon-like, Jerry reflected her tepor, her supineness and
femininity. She recounted his virtues with pride, while I questioned
her, hoping against hope to hear of some prank, the breaking of
window-panes, the burning of a haystack or the explosion of a giant
cracker under the cook. But all to no purpose.
So far as I could discover, he had never so much as pulled the tail
of a cat. As old John Benham had said, of original sin he had none.
But my conviction that the boy had good stuff in him was deepened on
the morrow, when, banishing books, I took him for a breather over hill
and dale, through wood and underbrush, three miles out and three miles
in. I told him stories as we walked and showed him how the Indians
trailed their game among the very hills over which we plodded. I told
him that a fine strong body was the greatest thing in the world, a
possession to work for and be proud of. His muscles were flabby, I
knew, but I put him a brisk pace and brought him in just before lunch,
red of cheek, bright of eye, and splashed with mud from head to foot.
I had learned one of the things I had set out to discover. He would do
his best at whatever task I set him.
I have not said that he was a handsome boy, for youth is amorphous and
the promise of today is not always fulfilled by the morrow. Jerry's
features were unformed at ten and, as has already been suggested, made
no distinct impression upon my mind. Whatever his early photographs
may show, at least they gave no sign of the remarkable beauty of
feature and lineament which developed in his adolescence. Perhaps it
was that I was more interested in his mind and body and what I could
make them than in his face, which, after all, was none of my concern.
Public-domain text, read in full here on John Shaqi.
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