Parallel Paths: A Study in Biology, Ethics, and ArtRolleston, T. W. (Thomas William)
Philosophy
Parallel Paths: A Study in Biology, Ethics, and Art
Rolleston, T. W. (Thomas William)
Art; Ethics; Science -- Philosophy
Fifty years after the appearance of Paley’s work, the grandson of
Erasmus Darwin wrote ‘No thoroughfare’ on the entrance to Paley’s line
of speculation, and closed it to mankind for ever. He did this in two
ways—first by marshalling from his studies of comparative anatomy and
of embryology an extraordinary volume of convincing evidence for the
_fact_ of the mutability of natural forms, and secondly by his attempt
to establish a plausible _method_ by which the change and development
of organs and types might actually have taken place. The method, summed
up in the phrases ‘natural selection’ and ‘survival of the fittest,’
was what really caught the attention of the world, and gave his
doctrine the wings which carried it into almost every sphere of human
thought. However we take it, it was certainly an immense contribution
to the organization of knowledge, but whether it is really what it
first seemed to be, the basic fact at the bottom of all the phenomena
of evolution, is coming to look more and more doubtful in the light of
later researches.[8]
This question will have to be considered later on in the course of
this study, and in relation to its main inquiry, which is this: What
precisely was the change in philosophic and religious outlook brought
about by the full and final establishment of the doctrine of evolution?
Where has evolution left the argument from design? Must we study nature
as a mass of unrelated phenomena, or can we discern, through these, any
fundamental unity to which they stand in organic relation; and if we
can, what is the nature of this unity?
It will be useful in the first place to have before us a typical
specimen of Paley’s method. I shall choose as an example the case which
he considered so striking that he deemed it almost sufficient in itself
to bear the whole weight of his argument In his ninth chapter, ‘On the
Muscles,’ he writes:—
Public-domain text, read in full here on John Shaqi.
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