Paris and the Parisians in 1835 (Vol. 1) — John Shaqi
Paris and the Parisians in 1835 (Vol. 1)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 1)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
However, putting sentiment and personal feeling of every kind apart,
so much that is admirable in Paris owes its origin to him, that his
ambition and his usurpations are involuntarily forgotten, and the use
made of his ill-gotten power almost obliterates the lawless tyranny of
the power itself. The appearance of his statue, therefore, on the top
of the column formed of the cannon taken by the armies of France when
fighting under his command, appeared to me to be the result of an
arrangement founded upon perfect propriety and good taste.
When his effigy was torn down some twenty years ago by the avenging
hands of the Allies, the act was one both of moral justice and of
natural feeling; and that the rightful owners of the throne he had
seized should never have replaced it, can hardly be matter of
surprise: but that it should now again be permitted to look down upon
the fitful fortunes of the French people, has something of historic
propriety in it which pleases the imagination.
This statue of Napoleon offers the only instance I remember in which
that most grotesque of European habiliments, a cocked-hat, has been
immortalized in marble or in bronze with good effect. The original
statue, with its flowing outline of Roman drapery, was erected by a
feeling of pride; but this portrait of him has the every-day familiar
look that could best satisfy affection. Instead of causing the eye to
turn away as it does from some faithful portraitures of modern
costume with positive disgust, this _chapeau à trois cornes_, and the
well-known loose _redingote_, have that air of picturesque truth in
them which is sure to please the taste even where it does not touch
the heart.
To the French themselves this statue is little short of an idol. Fresh
votive wreaths are perpetually hung about its pedestal; and little
draperies of black crape, constantly renewed, show plainly how fondly
his memory is still cherished.
While Napoleon was still among them, the halo of his military glory,
bright as it was, could not so dazzle the eyes of the nation but that
some portentous spots were discerned even in the very nucleus of that
glory itself; but now that it shines upon them across his tomb, it is
gazed at with an enthusiasm of devoted affection which mixes no memory
of error with its regrets.
It would, I think, be very difficult to find a Frenchman, let his
party be what it might, who would speak of Napoleon with disrespect.
I one day passed the foot of his gorgeous pedestal in company with a
legitimate _sans reproche_, who, raising his eyes to the statue,
said--"Notre position, Madame Trollope, est bien dure: nous avons
perdu le droit d'être fidèles, sans avoir plus celui d'être fiers."
FOOTNOTE:
[1] April 1835.
LETTER III.
Slang.--Les Jeunes Gens de Paris.--La Jeune
France.--Rococo.--Décousu.
Public-domain text, read in full here on John Shaqi.
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