Paris and the Parisians in 1835 (Vol. 1)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 1)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
These bodies, and several others, which were placed in coffins, and
inscribed with the names of the murdered occupants, lay buried
together for many years after the revolution in a large _chantier_,
or wood-yard, at no great distance from the place of execution.
That this spot had been excavated for the purpose of receiving these
sad relics, is a fact well known, and it was never lost sight of from
the terrible period at which the ground was so employed; but the
unseemly vault continued undisturbed till after the restoration, when
the bodies of the royal victims were sought and found. Their bones
were then conveyed to the long-hallowed shrine of St. Denis; but the
spot where the mangled remains were first thrown was consecrated, and
is now become the site of this beautiful little Chapelle Expiatoire.
The enclosure in which this building stands is of considerable extent,
reaching from the Rue de l'Arcade to the Rue d'Anjou. This space is
lined with closely-planted rows of cypress-trees on every side, which
are protected by a massive railing, neatly painted. The building
itself and all its accompaniments are in excellent taste; simple,
graceful, and solemn.
The interior is a small Greek cross, each extremity of which is
finished by a semicircle surmounted by a semi-dome. The space beneath
the central dome is occupied by chairs and benches covered with
crimson velvet, for the use of the faithful--in every sense--who come
to attend the mass which is daily performed there.
As long as the daughter of the murdered monarch continued to reside in
Paris, no morning ever passed without her coming to offer up her
prayers at this expiatory shrine.
One of the four curved extremities is occupied by the altar; that
opposite to it, by the entrance; and those on either side, by two
well-composed and impressive groups in white marble--that to the right
of the altar representing Marie Antoinette bending beside a cross
supported by an angel,--and that to the left, the felon-murdered
monarch whose wretched and most unmerited destiny she shared. On the
pedestal of the king's statue is inscribed his will; on that of the
queen, her farewell letter to the Princess Elizabeth.
Nothing can exceed the chaste delicacy of the few ornaments admitted
into the chapel. They consist only, I think, of golden candlesticks,
placed in niches in the white marble walls. The effect of the whole is
beautiful and impressive.
Public-domain text, read in full here on John Shaqi.
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