Paris and the Parisians in 1835 (Vol. 1)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 1)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
That the Hugo school has brought more nonsense with its mischief, is,
I think, clear: but it is not impossible that this may act as an
antidote to its own poison. It is a sort of humbug assumption of
talent which will pass out of fashion as quickly as Morrison's pills.
We have nothing quite so silly as this; but much I fear that, as it
concerns our welfare as a nation, we have what is more deeply
dangerous.
As to what is moral and what is not so, plain as at first sight the
question seems to be, there is much that is puzzling in it. In looking
over a volume of "Adèle et Théodore" the other day,--a work written
expressly "_sur l'éducation_," and by an author that we must presume
meant honestly and spoke sincerely,--I found this passage:--
"Je ne connais que trois romans véritablement moraux;--Clarisse, le
plus beau de tous; Grandison, et Pamela. Ma fille les lira en Anglais
lorsqu'elle aura dix-huit ans."
The venerable Grandison, though by no means _sans tache_, I will let
pass: but that any mother should talk of letting her daughter of
"dix-huit ans" read the others, is a mystery difficult to comprehend,
especially in a country where the young girls are reared, fostered,
and sheltered from every species of harm, with the most incessant and
sedulous watchfulness. I presume that Madame de Genlis conceived that,
as the object and moral purpose of these works were good, the
revolting coarseness with which some of their most powerful passages
are written could not lead to evil. But this is a bold and dangerous
judgment to pass when the question relates to the studies of a young
girl.
I think we may see symptoms of the feeling which would produce such a
judgment, in the tone of biting satire with which Molière attacks
those who wished to banish what might "faire insulte à la pudeur des
femmes." Spoken as he makes Philaminte speak it, we cannot fail to
laugh at the notion: yet ridicule on the same subject would hardly be
accepted, even from Sheridan, as jesting matter with us.
"Mais le plus beau projet de notre académie,
Une entreprise noble, et dont je suis ravie,
Un dessein plein de gloire, et qui sera vanté
Chez tous les beaux-esprits de la postérité,
C'est le retranchement de ces syllabes sales
Qui dans les plus beaux mots produisent des scandales;
Ces jouets éternels des sots de tous les temps,
Ces fades lieux communs de nos méchans plaisans;
Ces sources d'un amas d'équivoques infâmes
Dont on vient faire insulte à la pudeur des femmes."
Such an academy might be a very comical institution, certainly; but
the duties it would have to perform would not suffer a professor's
place to become a sinecure in France.
LETTER XXVII.
Objections to quoting the names of private
individuals.--Impossibility of avoiding Politics.--_Parceque_
and _Quoique_.--Soirée Antithestique.
Public-domain text, read in full here on John Shaqi.
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