Paris and the Parisians in 1835 (Vol. 1)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 1)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
It would be a pleasure to me to give you the names of many persons
with whom I have become acquainted in Paris, and I should like to
describe exactly the _salons_ in which I met them; but a whole host of
proprieties forbid this. Where individuals are so well known to fame
as to render the echoing of their names a matter of ordinary
recurrence, I can of course feel no scruple in repeating the echo--one
reverberation more can do no harm: but I will never be the first to
name any one, either for praise or for blame, beyond the sanctuary of
their own circle.
I must therefore restrict myself to the giving you the best general
idea I can of the tone and style of what I have seen and heard; and if
I avail myself of the conversations I have listened to, it shall be in
such a manner as to avoid the slightest approach to personal allusion.
This necessary restraint, however, is not submitted to without
regret: it must rob much of what I would wish to repeat of the value
of authority; and when I consider how greatly at variance my
impressions are on many points to some which have been publicly
proclaimed by others, I feel that I deserve some praise for
suppressing names which would stamp my statements with a value that
neither my unsupported assertions, nor those of any other traveller,
can be supposed to bear. Those who best know what I lose by this will
give me credit for it; and I shall be sufficiently rewarded for my
forbearance if it afford them a proof that I am not unworthy the
flattering kindness I have received.
We all declare ourselves sick of politics, and a woman's letters, at
least, ought if possible to be free from this wearily pervading
subject: but the describing a human being, and omitting to mention the
heart and the brain, would not leave the analysis more defective, than
painting the Parisians at this moment without permitting their
politics to appear in the picture.
The very air they breathe is impregnated with politics. Were all words
expressive of party distinctions to be banished from their
language--were the curse of Babel to fall upon them, and no man be
able to discourse with his neighbour,--still political feeling would
find itself an organ whereby to express its workings. One man would
wear a pointed hat, another a flat one; one woman would be girt with
a tri-coloured sash, and another with a white one. Some exquisites
would be closely buttoned to the chin, while the lapels of others
would open wide in all the expansive freedom of republican
unrestraint. One set would be seen adorning Napoleon's pillar with
trophies; another, prostrate before the altar of the elder Bourbon's
monumental chapel; a third, marshalling themselves under the bloody
banner of Robespierre to the tune of "Dansons la Carmagnole;" whilst a
fourth, by far the most numerous, would be brushing their national
uniforms, attending to their prosperous shops, and giving a nod of
good-fellowship every time his majesty the king passes by.
Public-domain text, read in full here on John Shaqi.
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