Paris and the Parisians in 1835 (Vol. 1) — John Shaqi
Paris and the Parisians in 1835 (Vol. 1)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 1)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
Why is it that none of the young heads can learn to turn like hers?
Why can no arms move with the same beautiful and easy elegance? Her
very fingers, even when gloved, seem to aid her expression; and the
quietest and least posture-studying of actresses contrives to make the
most trifling and ordinary movement assist in giving effect to her
part.
I would willingly consent to be dead for a few hours, if I could
meanwhile bring Molière to life, and let him see Mars play one of his
best-loved characters. How delicious would be his pleasure in
beholding the creature of his own fancy thus exquisitely alive before
him; and of marking, moreover, the thrill that makes itself heard
along the closely-packed rows of the parterre, when his wit, conveyed
by this charming conductor, runs round the house like the touch of
electricity! Do you think that the best smile of Louis le Grand could
be worth this?
Few theatrical pieces can, I think, be calculated to give less
pleasure than that of "Charlotte Brown," which followed the
"Tartuffe;" but as the part of Charlotte is played by Mademoiselle
Mars, people will stay to see it. I repented however that I did not
go, for it made me cross and angry.
Such an actress as Mars should not be asked to try a _tour de force_
in order to make an abortive production effective. And what else can
it be called, if her touching pathos and enchanting grace are brought
before the public, to make them endure a platitude that would have
been hissed into oblivion ere it had well seen light without her? It
is hardly fair to expect that a performer should create as well as
personate the chief character of a piece; but Mademoiselle Mars
certainly does nothing less, when she contrives to excite sympathy and
interest for a low-born and low-minded woman, who has managed to make
a great match by telling a great falsehood. Yet "Charlotte Brown" is
worth seeing for the sake of a certain tragic look given by this
wonderful actress at the moment when her falsehood is discovered. It
is no exaggeration to say, that Mrs. Siddons never produced an
expression of greater power.
It is long since I have seen any theatre so crowded.
Public-domain text, read in full here on John Shaqi.
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