Paris and the Parisians in 1835 (Vol. 1)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 1)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
That the composition of these happy trifles cannot be a work of any
great labour or difficulty, may be reasonably inferred from the
ceaseless succession of novelties which every theatre and every season
produces. The process, for this lively and ready-witted people, must
be pleasant enough--they must catch from what passes before them; no
difficult task, perhaps--some _piquante_ situation or ludicrous
_bévue_: the slightest thread is strong enough to hold together the
light materials of the plot; and then must follow the christening of a
needful proportion of male and female, old and young, enchanting and
ridiculous personages. The list of these once set down, and the order
of scenes which are to bring forth the plot arranged, I can fancy the
author perfectly enjoying himself as he puts into the mouth of each
character all the saucy impertinences upon every subject that his
imagination, skilful enough in such matters, can suggest. When to this
is added an occasional touch of natural feeling, and a little popular
high-mindedness in any line, the _petite comédie_ is ready for the
stage.
It is certainly a very light manufacture, and depends perhaps more
upon the fearless _laisser aller_ of both author and actor than upon
the brilliancy of wit which it displays. That old-fashioned blushing
grace too, so much in favour with King Solomon, and called in
scripture phrase shamefacedness, is sacrificed rather too unmercifully
by the female part of the performers, in the fear, as it should seem,
of impairing the spirit and vivacity of the scene by any scruple of
any kind. But I suspect these ladies miscalculate the respective value
of opposing graces; Mademoiselle Mars may show them that delicacy and
vivacity are not inseparable; and though I confess that it would be a
little unreasonable to expect all the female vaudevillists of Paris to
be like Mars, I cannot but think that, in a city where her mode of
playing comedy has for so many years been declared perfect, it must be
unnecessary to seek the power of attraction from what is so utterly at
variance with it.
Public-domain text, read in full here on John Shaqi.
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