The performance of comedy is often assisted here by a freedom among the actors which I have sometimes, but not often, seen permitted in London. It requires for its success, and indeed for its endurance, that the audience should be perfectly in good-humour, and sympathise very cordially with the business of the scene. I allude to the part which the performers sometimes take not only in the acting, but in the enjoyment of it. I never in my life saw people more heartily amused, or disposed more unceremoniously to show it, than the actors in the "Précieuses Ridicules," which I saw played a few nights ago at the Français. On this occasion I think the spirit of the performance was certainly heightened by this license, and for this reason--the scene represents a group in which one party must of necessity be exceedingly amused by the success of the mystification which they are practising on the other. But I own that I have sometimes felt a little _English stiffness_ at perceiving an air of frolic and fun upon the stage, which seemed fully as much got up for the performers as for the audience. But though the instance I have named of this occurred at the Théâtre Français, it is not there that it is likely to be carried to any offensive extent. The lesser theatres would in many instances do well to copy closely the etiquette and decorum of all kinds which the great national theatre exhibits: but perhaps it is hardly fair to expect this; and besides, we might be told, justly enough, to _look at home_. The theatres, particularly the minor ones, appear to be still very well attended: but I constantly hear the same observations made in Paris as in London upon the decline of theatrical taste among the higher orders; and it arises, I think, from the same cause in both countries,--namely, the late dinner-hour, which renders the going to a play a matter of general family arrangement, and often of general family difficulty. The opera, which is later, is always full; and were it not that I have lived too long in the world to be surprised at anything that the power of fashion could effect, I should certainly be astonished that so lively a people as the French should throng night after night as they do to witness the exceeding dulness of this heavy spectacle. The only people I have yet seen enjoying their theatres rationally, without abstaining from what they liked because it was unfashionable, or enduring what they did not, because it was the _mode_, are the Germans. Their genuine and universal love of music makes their delicious opera almost a necessary of life to them; and they must, I think, absolutely change their nature before they will suffer the silly conventional elegance supposed by some to attach to the act of eating their dinner late, to interfere with their enjoyment of it.