Paris and the Parisians in 1835 (Vol. 2)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 2)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
This inscription still remains, as well as the massive brazen gates
with their triple locks, which were designed to close the tomb. These
rich portals are not suspended on hinges, but rest against a wall of
solid masonry, over which the above inscription is seen. The imperial
vault thus chosen by the living despot as the sanctuary for bones
which it was our fortune to dispose of elsewhere is greatly
distinguished by its situation, being exactly under the high altar,
and in the centre of the crypts, which follow the beautiful curve of
the Lady Chapel above. It now contains the bodies of Louis Dix-huit
and the Duc de Berri, and is completely bricked up.
In another vault, at one end of the circular crypts, and perfectly
excluded from the light of day, but made visible by a single feeble
lamp, are two coffins enclosing the remains of the two last defunct
princes of the blood royal; but I forget their names. When I inquired
of our conductor why these two coffins were thus exposed to view, he
replied, with the air of a person giving information respecting what
was as unchangeable as the laws of the Medes and Persians, "C'est
toujours ainsi;" adding, "When another royal corpse is interred, the
one of these two which was the first deposited will be removed, to be
placed beneath its monument; but two must ever remain thus."
"Always" and "ever" are words which can seldom be used discreetly
without some reservation; but respecting anything connected with the
political state of France, I should think they had better never be
used at all.
We returned to the carriages and pursued our pretty drive. The latter
part of the route is very beautiful, and we all walked up one long
steep hill, as much, or more perhaps, to enjoy the glorious view, and
the fresh delicious air, as to assist the horses.
Arrived at the famous _Cheval Blanc_ at Montmorency, (a sign painted,
as the tradition says, by no less a hand than that of Gérard, who, in
a youthful pilgrimage with his friend Isabey to this region
consecrated to romance, found himself with no other means of defraying
their bill than by painting a sign for his host,) we quitted our
wearied and wearisome citadines, and began to seek, amidst the
multitude of horses and donkeys which stood saddled and bridled around
the door of the inn, for twenty well-conditioned beasts, besides a
sumpter-mule or two, to carry us and our provender to the forest.
And, oh! the tumult and the din that accompanied this selection!
Multitudes of old women and ragamuffin boys assailed us on all
sides.--"Tenez, madame; voilà mon âne! y a-t-il une autre bête comme
la mienne?..." "Non, non, non, belles dames! Ne le croyez pas; c'est
la mienne qu'il vous faut..." "Et vous, monsieur--c'est un cheval qui
vous manque, n'est-ce pas? en voilà un superbe...."
Public-domain text, read in full here on John Shaqi.
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