Paris and the Parisians in 1835 (Vol. 2)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 2)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
The multitude of hoarse old voices, and shrill young ones, joined to
our own noisy mirth, produced a din that brought out half the
population of Montmorency to stare at us: but at length we were
mounted--and, what was of infinitely more consequence, and infinitely
more difficulty also, our hampers and baskets were mounted too.
But before we could think of the greenwood tree, and the gay repast
to be spread under it, we had a pilgrimage to make to the shrine which
has given the region all its fame. Hitherto we had thought only of its
beauty,--who does not know the lovely scenery of Montmorency?--even
without the name of Rousseau to give a fanciful interest to every path
around it, there is enough in its hills and dales, its forest and its
fields, to cheer the spirits and enchant the eye.
A day stolen from the dissipation, the dust, and the noise of a great
city, is always delightful; but when it is enjoyed in the very fullest
green perfection of the last days of May, when every new-born leaf and
blossom is fully expanded to the delicious breeze, and not one yet
fallen before it, the enjoyment is perfect. It is like seeing a new
piece while the dresses and decorations are all fresh; and never can
the mind be in a state to taste with less of pain, and more of
pleasure, the thoughts suggested by such a scene as _the Hermitage_. I
have, however, no intention of indulging myself in a burst of tender
feeling over the melancholy memory of Rousseau, or of enthusiastic
gratitude at the recollection of Grétry, though both are strongly
brought before the mind's eye by the various memorials of each so
carefully treasured in the little parlour in which they passed so many
hours: yet it is impossible to look at the little rude table on which
the first and greatest of these gifted men scribbled the "Héloïse,"
or on the broken and untuneable keys of the spinette with which the
eloquent visionary so often soothed his sadness and solitude, without
some feeling tant soit peu approaching to the sentimental.
Before the window of this small gloomy room, which opens upon the
garden, is a rose-tree planted by the hand of Rousseau, which has
furnished, as they told us, cuttings enough to produce a forest of
roses. The house is as dark and dull as may be; but the garden is
pretty, and there is something of fanciful in its arrangement which
makes me think it must be as he left it.
The records of Grétry would have produced more effect if seen
elsewhere,--at least I thought so;--yet the sweet notes of "O Richard!
O mon roi!" seemed to be sounding in my ears, too, as I looked at his
old spectacles, and several other little domestic relics that were
inscribed with his name. But the "Rêveries du Promeneur Solitaire" are
worth all the notes that Grétry ever wrote.
Public-domain text, read in full here on John Shaqi.
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