Paris and the Parisians in 1835 (Vol. 2) — John Shaqi
Paris and the Parisians in 1835 (Vol. 2)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 2)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
After all, indeed, I believe that the mystical peculiarity of dress of
which I have been speaking wholly arises from this innate and
universal instinct of good taste. There is a fitness, a propriety, a
sort of harmony in the various articles which constitute female
attire, which may be traced as clearly amongst the cotton _toques_,
with all their variety of brilliant tints, and the 'kerchief and apron
to match, or rather to accord, as amongst the most elegant bonnets at
the Tuileries. Their expressive phrase of approbation for a
well-dressed woman, "_faite à peindre_," may often be applied with
quite as much justice to the peasant as to the princess; for the same
unconscious sensibility of taste will regulate them both.
It is this national feeling which renders their stage groups, their
corps _de ballet_, and all the _tableaux_ business of their theatres,
so greatly superior to all others. On these occasions, a single
blunder in colour, contrast, or position, destroys the whole harmony,
and the whole charm with it: but you see the poor little girls hired
to do angels and graces for a few sous a night, fall into the
composition of the scene with an instinct as unerring, as that which
leads a flight of wild geese to cleave the air in a well-adjusted
triangular phalanx, instead of scattering themselves to every point
of the compass; as, _par exemple_, our _figurantes_ may be often seen
to do, if not kept in order by the ballet-master as carefully as a
huntsman whistles in his pack.
It is quite a relief to my eyes to find how completely rouge appears
to be gone out of fashion here. I will not undertake to say that no
bright eyes still look brighter from having a touch of red skilfully
applied beneath them: but if this be done, it is so well done as to be
invisible, excepting by its favourable effect; which is a prodigious
improvement upon the fashion which I well remember here, of larding
cheeks both young and old to a degree that was quite frightful.
Another improvement which I very greatly admire is, that the majority
of old ladies have left off wearing artificial hair, and arrange their
own grey locks with all the neatness and care possible. The effect of
this upon their general appearance is extremely favourable: Nature
always arranges things for us much better than we can do it for
ourselves; and the effect of an old face surrounded by a maze of
wanton curls, black, brown, or flaxen, is infinitely less agreeable
than when it is seen with its own "sable silvered" about it.
Public-domain text, read in full here on John Shaqi.
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