Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The Revolution — John Shaqi
Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The RevolutionBlagdon, Francis William
History
Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The Revolution
Blagdon, Francis William
Paris (France) -- Description and travel
It remains for me to observe, by way of stimulating the ambition of
British genius, that, in France, the arts and sciences are now making
a rapid and simultaneous progress; first, because the revolution has
made them popular in that country; and, secondly, because they are
daily connected by new ties, which, in a great measure, render them
inseparable. Facts are there recurred to, less with a view to draw
from them immediate applications than to develop the truths resulting
from them. The first step is from these facts to their most simple
consequences, which are little more than bare assertions. From these
the _savans_ proceed to others more minute, till, at length, by
imperceptible degrees, they arrive at the most abstracted
generalities. With them, method is an induction incessantly verified
by experiment. Whence, it gives to human intelligence, not wings
which lead it astray, but reins which guide it. United by this common
philosophy, the sciences and arts in France advance together; and the
progress made by one of them serves to promote that of the rest.
There, the men who profess them, considering that their knowledge
belongs not to themselves alone, not to their country only, but to
all mankind, are continually striving to increase the mass of public
knowledge. This they regard as a real duty, which they are proud to
discharge; thus treading in the steps of the most memorable men of
past ages.
Then, while the more unlearned and unskilled among us are emulating
the patriotic enthusiasm of the French in volunteering, as they did,
to resist invasion, let our men of science and genius exert
themselves not to be surpassed by the industrious _savans_ and
artists of that nation; but let them act on the principle inculcated
by the following sublime idea of our illustrious countryman, the
founder of modern philosophy. "It may not be amiss," says BACON, "to
point out three different kinds, and, as it were, degrees of
ambition. The first, that of those who desire to enhance, in their
own country, the power they arrogate to themselves: this kind of
ambition is both vulgar and degenerate. The second, that of those who
endeavour to extend the power and domination of their country, over
the whole of the human race: in this kind there is certainly a
greater dignity, though; at the same time, no less a share of
cupidity. But should any one strive to restore and extend the power
and domination of mankind over the universality of things,
unquestionably such an ambition, (if it can be so denominated) would
be more reasonable and dignified than the others. Now, the empire of
man, over things, has its foundation exclusively in the arts and
sciences; for it is only by an obedience to her laws, that Nature can
be commanded."[3]
LONDON, June 10, 1803.
Public-domain text, read in full here on John Shaqi.
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