Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)Leighton, John
History
Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)
Leighton, John
Paris (France) -- History -- Commune, 1871
And now that the house is finished, I must render my obligations to M.
Mendès and numerous French friends, for their kind assistance and
valuable aid, including my confrères of “_The Graphic_,” who have
allowed me to enliven the walls with pictures from their stores; and
last, and not least, my best thanks are due to an English Peer, who
placed at my disposal his unique collection of prints and journals of
the period bearing upon the subject—a subject I am pretty familiar
with. Powder has done its work, the smell of petroleum has passed away,
the house that called me master has vanished from the face of the
earth, and my concierge and his wife are reported _fusillés_ by the
Versaillais; and to add to the disaster, my rent was paid in advance,
having been deposited with a _notaire_ prior to the First Siege.... But
my neighbours, where are they? In my immediate neighbourhood six houses
were entirely destroyed, and as many more half ruined. I can only speak
of one friend, an amiable and able architect, who, alas! remonstrated
in person, and received a ball from a revolver through the back of his
neck. His head is bowed for life. He has lost his pleasure and his
treasure, a valuable museum of art,—happily they could not burn his
reputation, or the monument of his life—a range of goodly folio volumes
that exist “_pour tous_.”
L.
LONDON, 1871.
Contents
PREFACE
LIST OF PLATES AND ILLUSTRATIONS
INTRODUCTORY CHAPTER The 30th October, 1870—The Hôtel de Ville
invaded—Governor Trochu resigns—A Revolt attempted—Meetings, Place
de la Bastille—The Prussians enter Paris—Hostility of the National
Guard
Public-domain text, read in full here on John Shaqi.
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