Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)Leighton, John
History
Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)
Leighton, John
Paris (France) -- History -- Commune, 1871
after the hostages.” While he is talking, I try to see what is going on
in the Place de l’Hôtel de Ville. Two or three thousand Federals are
there, some seated, some lying on the ground. A lively discussion is
going on. Several little barrels are standing about on chairs; the men
are continually getting up and crowding round the barrels, some have no
glasses, but drink in the palms of their hands. Women walk up and down
in bands, gesticulating wildly. The men shout, the women shriek.
Mounted expresses gallop out of the Hôtel, some in the direction of the
Bastille, some towards the Place de la Concorde. The latter fly past us
crying out, “All’s well!” A man comes out on the balcony of the Hôtel
de Ville and addresses the crowd. All the Federals start to their feet
enthusiastically.—“That’s Vallès,” says my neighbour to me. I had
already recognised him. I frequently saw him in the students’ quarter
in a little _crémerie_ in the Rue Serpente. He was given to making
verses, rather bad ones by-the-bye; I remember one in particular, a
panegyric on a green coat. They used to say he had a situation in the
_pompes funèbres_.[103] His face even then wore a bitter and violent
expression. He left poetry for journalism, and then journalism for
politics.
[Illustration: Jules Vallès, Commissioner Of Public instruction[104]]
To-day he is spouting forth at a window of the Hôtel de Ville. I cannot
catch a word of what he says; but as he retires he is wildly applauded.
Such applause pains me sadly. I feel that these men and these women are
mad for blood, and will know how to die. Alas! how many dead and dying
already! neither the cannonading nor the musketry has ceased an
instant. I now see a number of women walk out of the Hôtel, the crowd
makes room for them to pass. They come our way. They are dressed in
black, and have black crape tied round their arms and a red cockade in
their bonnets. My friend the officer tells me that they are the
governesses who have taken the places of the nuns. Then he walks up to
them and says, “Have you succeeded?”—“Yes,” answers one of them, “here
is our commission. The school children are to be employed in making
sacks and filling them with earth, the eldest ones to load the rifles
behind the barricades. They will receive rations like National Guards,
and a pension will be given to the mothers of those who die for the
Republic. They are mad to fight, I assure you. We have made them work
hard during the last month, this will be their holiday!” The woman who
says this is young and pretty, and speaks with a sweet smile on her
lips. I shudder. Suddenly two staff officers appear and ride furiously
up to the Hôtel de Ville; they have come from the Place Vendôme. An
instant later and the trumpets sound. The companies form in the Place,
and great agitation reigns in the Hôtel. Men rush in and out. The
officers who are in the café where I am get up instantly, and go to
take their places at the head of their men. A rumour spreads that the
Public-domain text, read in full here on John Shaqi.
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