Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)Leighton, John
History
Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)
Leighton, John
Paris (France) -- History -- Commune, 1871
Versaillais have taken the barricades on the Place de la Concorde.—“By
Jove! I think you had better go home,” says my neighbour to me, as he
clasps his sword belt; “we shall have hot work here, and that shortly.”
I think it prudent to follow this advice. One glance at the Place
before I go. The companies of Federals have just started off by the Rue
de Rivoli and the quays at a quick march, crying “Vive la Commune!” a
ferocious joy beaming in their faces. A young man, almost a lad, lags a
little behind, a woman rushes up to him, and lays hold of his collar,
screaming, “Well, and you, are you not going to get yourself killed
with the others?”
[Illustration: Barricade Dividing the Rue de Rivoli and The Place De La
Concorde]
I reach the Rue Vieille-du-Temple, where another barricade is being
built up. I place a paving-stone upon it and pass on. Soon I see open
shops and passengers in the streets. This tradesmen’s quarter seems to
have outlived the riot of Paris. Here one might almost forget the
frightful civil war which wages so near, if the conversation of those
around did not betray the anguish of the speakers, and if you did not
hear the cannon roaring out unceasingly, “People of Paris, listen to
me! I am ruining your houses. Listen to me! I am killing your
children.”
On the boulevards more barricades; some nearly finished, others
scarcely commenced. One constructed near the Porte Saint Martin looks
formidable. That spot seems destined to be the theatre of bloody
scenes, of riot and revolution. In 1852, corpses laid piled up behind
the railing, and all the pavement tinged with blood. I return home
profoundly sad; I can scarcely think.—I feel in a dream, and am tired
to death; my eyelids droop of themselves; I am like one of those houses
there with closed shutters.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account