Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)Leighton, John
History
Paris under the Commune: The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs)
Leighton, John
Paris (France) -- History -- Commune, 1871
“Where are you going?” asked I.—“We do not know,” says one; “Report
says we are going to Montmartre,” adds the other.[5] They were really
going to Montmartre. At five o’clock in the morning the 88th Regiment
of the line occupied the top of the hill and the little streets leading
to it, a place doubtless familiar to some of them, who on Sundays and
fête days had clambered up the hill-sides in company with apple-faced
rustics from the outskirts, and middle-class people of the quarter;
taking part in the crowd on the Place Saint-Pierre, with its games and
amusements, and “assisting,” as they would say, at shooting in a
barrel, admiring the ability of some, whilst reviling the stupidity of
others; when they had a few sous in their pockets they would try their
own skill at throwing big balls into the mouths of fantastic monsters,
painted upon a square board, while their country friends nibbled at
spice-nuts, and thought them delicious. But on this 18th of March
morning there are no women, nor spice-nuts, nor sport on the Place
Saint-Pierre: all is slush and dirt, and the poor lines-men are obliged
to stand at ease, resting upon their arms, not in the best of humour
with the weather or the prospect before them.
Ah! and the guns of the National Guard that frown from their embrasures
on the top of the hill, have they been made use of against the
Prussians? No! they have made no report during the siege, and were only
heard on the days on which they were christened and paid for; elegant
things, hardly to be blackened with powder, that it was always hoped
would be pacific and never dangerous to the capital. Cruel irony! those
guns for which Paris paid, and those American mitrailleuses, made out
of the savings of both rich and poor, the farthings of the frugal
housewife, and the napoleons of the millionaires; the contributions of
the artists who designed, and the poets who pen’d, are ruining Paris
instead of protecting it. The brass mouths that ate the bread of
humanity are turned upon the nation itself to devour it also.
Public-domain text, read in full here on John Shaqi.
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