Paris War Days: Diary of an AmericanBarnard, Charles Inman
History
Paris War Days: Diary of an American
Barnard, Charles Inman
Paris (France) -- History -- 1914-1918; World War, 1914-1918 -- Personal narratives
At the Chamber of Deputies I witnessed a historic scene never to be
forgotten. Some of the deputies were reservists and had come in their
uniforms, but the rules prevented them from taking their seats in
military attire. In the Diplomatic Tribune sat Sir Francis Bertie, the
British Ambassador, side by side with M. Alexander Iswolsky, the Russian
Ambassador. The Chamber filled in complete silence. The whole House,
from royalists to socialists, listened, standing, to a glowing tribute
by M. Paul Deschanel, president of the Chamber, to M. Jaures, over whose
coffin, he said, the whole of France was united. "There are no more
adversaries," exclaimed M. Deschanel, with a voice trembling with
emotion, "there are only Frenchmen." The whole house as one man raised a
resounding shout of "Vive la France!"
When M. Deschanel concluded, there was a pause during the absence of M.
Viviani. The Premier entered, pale but confident, amid a hurricane of
cheers and read amid a silence broken only by frenzied shouts of "Vive
la France!" a speech detailing the whole course of the diplomatic
negotiations, in which he placed upon Germany crushing responsibility
for the catastrophe which has overtaken Europe.
The Chamber, before rising, adopted unanimously without discussion a
whole series of bills making provision for national defense and the
maintenance of order in France.
M. Viviani's speech was interrupted by terrific cheering when he
referred to the attitude adopted by the British and Belgian governments.
All rose to face the diplomatic tribune, cheering again and again.
M. Viviani's last phrase, "We are without reproach. We shall be without
fear," swept the whole Chamber off its feet.
The vast hemicycle was a compact mass of cheering deputies, all waving
aloft in their hands papers and handkerchiefs. From the tribunes of the
public gallery shout after shout went up. At the foot of the
presidential platform the gray-haired usher, with his 1870 war medals on
his breasts, was seated, overcome with emotion, the tears coursing down
his cheeks.
Paris is back in the days of the curfew, and at eight o'clock, by order
of the Military Governor of Paris, it is "lights out" on the boulevards,
all the cafes close their doors, the underground railway ceases running,
and policemen and sentinels challenge any one going home late, lest he
should be a German spy. Paris is no longer "_la ville lumiere_"--
it is a sad and gloomy city, where men and women go about with solemn,
anxious faces, and every conversation seems to begin and end with the
dreadful word "War!"
There is no more rioting in the streets. The bands of young blackguards
who went about pillaging the shops of inoffensive citizens have been
cleared from the streets, and demonstrations of every kind are strictly
forbidden. So far is this carried that a cab was stopped at the
Madeleine, and a policeman ordered the cab driver to take the little
French flag out of the horse's collar.
Public-domain text, read in full here on John Shaqi.
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