After a frugal dinner at the inn, I sauntered still further into the country, so as, if possible, to get a glimpse of the farm-houses. But one cannot get any fair idea of French agriculture so near Paris. A great deal of the land is used in cultivating vegetables for the Paris markets, and this land is scarcely a specimen of the farms of France, it is more like gardens. I found a few buildings which were occupied by these gardeners, and one or two genuine farmers, and while there was evidently scientific culture bestowed upon the land, the tools were generally clumsy, and altogether too heavy for convenience and dispatch. It struck me as very singular. Paris excels in the manufacturing of light and graceful articles of almost every kind. Certainly, in jewelry, cutlery, and all manner of ornamental articles, it is the first city in the world. How comes it, then, that so near Paris, agricultural implements are so far behind the age? I would by no means have the reader infer that the best of agricultural tools are not manufactured in France. Such is not the fact, as the Paris Exhibition proved, but _who buys them_? Now is it not a significant fact, that within a bow-shot of Paris I found tools in use, which would be laughed at in the free states of America? The true reason for this, is to be found in the condition of the French agricultural laborer. He is ignorant and unambitious. Where the laborer is intelligent, he will have light and excellent tools to work with. This is a universal fact. The slaves of the southern states are in a state of brutal ignorance, and their agricultural implements are heavy and large. Such is the fact with all those men and women who are in a condition somewhat similar. After looking upon the plowman I have before alluded to, I could easily believe what reliable Frenchmen told me--that in the famous (shall I call it _in_famous?) election, very many of the farmers of the interior supposed they were voting for Napoleon the Great, instead of Louis Napoleon! I passed, in returning to my hotel, one of the finest buildings in Paris--the _Palace d' Orsay_. It was begun in the time of Napoleon, and is a public building. [Illustration: Palais de Quai D'Orsay.] [Illustration: CHURCH OF NOTRE DAME.] CHAPTER IV. CHURCHES--NOTRE DAME--L'AUXERROIS--SAINT CHAPELLE--ST. FERDINAND--EXPIATOIRE--MADELEINE, ETC. NOTRE DAME. The churches of Paris are full of gorgeous splendor--how much vital religion they contain, it is not, perhaps, my province to decide. But in beauty of architecture, in the solemnity and grandeur of interior, no city in the world, except Rome, can excel them. The church of the Madeleine is the most imposing of all; indeed, it seemed to me that in all Paris there was no other building so pretentious. But Notre Dame has that mellow quality which beautifies all architecture--hoary age.