The ventriloquists of our time, as M. Alexander and M. Fitz-James, have carried their art still further. They have not only spoken by the muscles of the throat and the abdomen, without moving those of the face, but have so far overcome the uncertainty of sound, as to become acquainted with modifications of distance, obstruction, and other causes, so to imitate them with the greatest accuracy. Thus, each of these artists has succeeded in carrying on a dialogue; and each, in his own single person and with his own single voice, has represented a scene apparently with several actors. These ventriloquists have likewise possessed such power over their faces and figures, that, aided by rapid changes of dress, their personal identity has scarcely been recognised among the range of personations. Vocal imitations are much less striking and ingenious than the feats of ventriloquism. Extraordinary varieties of voice may be produced, by speaking with a more acute or grave pitch than usual, and by different contractions of the mouth. Thus may be imitated the grinding of cutlery on a wheel, the sawing of wood, the frying of a pancake, the uncorking of a bottle, and the gurgling noise in emptying its contents. [Illustration] [Illustration: LIGHT & HEAT.] [Illustration: LIGHT AND HEAT.] FLASHES OF LIGHT UPON REVOLVING WHEELS. PROVIDE a circle of card-board, six inches in diameter; divide it into sixteen parts, and paint them alternately red and black. Provide a second circle or disc of the same size, and paint on it, in large characters, the words “At rest,” on a white ground. Connect both discs with the simple apparatus for causing them to turn round, used in the construction of a toy windmill. Next fill a basin with water, and provide a few small pieces of phosphuret of lime: darken the room, hold the discs over the basin, and turn them round; let the phosphuret of lime be put into the water, and bubbles of light will rise to its surface. If they come up slowly, both discs will appear stationary during their turning round; but when the bubbles come up quickly, the black and red spaces will exhibit a dancing motion, and sometimes two black spaces will seem joined into one, to the exclusion of the intervening red, and _vice versâ_: the words on the second disc will also cross each other in various directions, when the flashes of light interfere; and, in both cases, confusion will be excited by an impression being made on the retina, before preceding impressions have departed. DECOMPOSITION OF LIGHT.