Parodies of Ballad Criticism (1711-1787): A Comment Upon the History of Tom Thumb, 1711, by William; Wagstaffe; The Knave of Hearts, 1787, by George Canning — John Shaqi
Parodies of Ballad Criticism (1711-1787): A Comment Upon the History of Tom Thumb, 1711, by William; Wagstaffe; The Knave of Hearts, 1787, by George CanningWagstaffe, William
History
Parodies of Ballad Criticism (1711-1787): A Comment Upon the History of Tom Thumb, 1711, by William; Wagstaffe; The Knave of Hearts, 1787, by George Canning
Wagstaffe, William
Ballads, English -- England -- History and criticism; Parodies
There is no race of men on whom these laws are more severe than Authors;
and no species of Authors more subject to them, than Periodical
Essayists. _Homer_ having prescribed the form, or to use a more modern
phrase, _set the fashion_ of _Epic Poems_, whoever presumes to deviate
from his plan, must not hope to participate his dignity: And whatever
method, _The Spectator_, _The Guardian_, and others, who first adopted
this species of writing, have pursued in their undertaking, is set down
as a rule for the conduct of their followers; which, whoever is bold
enough to transgress, is accused of a deviation from the original
design, and a breach of established regulation.
It has hitherto been customary for all Periodical Writers, to take some
opportunity, in the course of their labours, to display their Critical
abilities, either by making observations on some popular Author, and
work of known character, or by bringing forth the performances of hidden
merit, and throwing light on genius in obscurity. To the critiques of
_The Spectator_, _Shakespear_, and more particularly, _Milton_, are
indebted, for no inconsiderable share of the reputation, which they now
so universally enjoy; and by his means were the ruder graces, and more
simple beauties of _Chevy Chace_ held up to public view, and recommended
to general admiration.
I should probably be accused of swerving from the imitation of so great
an example, were not I to take occasion to shew that I too am not
entirely destitute of abilities of this kind; but that by possessing a
decent share of critical discernment, and critical jargon, I am capable
of becoming a very tolerable commentator. For the proof of which,
I shall rather prefer calling the attention of my readers to an object
as yet untreated of by any of my immediate predecessors, than venture to
throw in my observations on any work which has before passed the ordeal
of frequent examination. And this I shall do for two reasons; partly,
because were I to choose a field, how fertile soever, of which many
others had before me been reaping the fruits, mine would be at best but
the gleanings of criticism; and partly, from a more interested view,
from a selfish desire of accumulated praise; since, by making a work,
as yet almost wholly unknown, the subject of my consideration, I shall
acquire the reputation of taste, as well as judgement;--of judiciousness
in selection, as well as justness in observation;--of propriety in
choosing the object, as well as skill in using the language, of
commentary.
Public-domain text, read in full here on John Shaqi.
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