Parodies of Ballad Criticism (1711-1787): A Comment Upon the History of Tom Thumb, 1711, by William; Wagstaffe; The Knave of Hearts, 1787, by George CanningWagstaffe, William
History
Parodies of Ballad Criticism (1711-1787): A Comment Upon the History of Tom Thumb, 1711, by William; Wagstaffe; The Knave of Hearts, 1787, by George Canning
Wagstaffe, William
Ballads, English -- England -- History and criticism; Parodies
Having in the course of his work, shewn the bad effects arising from
theft, he evidently means this last moral reflection, to operate with
his readers as a gentle and polite dissuasive from stealing.
"The Knave of Hearts
"Brought back those Tarts,
"And vow'd he'd steal no more!"
Thus have I industriously gone through the several parts of this
wonderful Work; and clearly proved it, in every one of these parts, and
in all of them together, to be a _due and proper Epic Poem_; and to have
as good a right to that title, from its adherence to prescribed rules,
as any of the celebrated master-pieces of antiquity. And here I cannot
help again lamenting, that, by not knowing the name of the Author, I am
unable to twine our laurels together; and to transmit to posterity the
mingled praises of Genius, and Judgment; of the Poet, and his
commentator.
Having some space left in this paper, I will now, with the permission of
my readers of the _great world_, address myself more particularly to my
fellow-citizens.
To them, the essay which I have here presented, will, I flatter myself,
be peculiarly serviceable at this time; and I would earnestly recommend
an attentive perusal of it, to all of them whose muses are engaged in
compositions of the Epic kind.--I am very much afraid that I may run
into the error, which I have myself pointed out, of becoming too
_local_,--but where it is evidently intended for the good of my fellow
citizens, it may, I hope, be now and then pardonable. At the present
juncture, as many have applied for my assistance, I cannot find in my
heart to refuse it them. Were I to attempt fully explaining, why, at the
_present juncture_, I fear it would be vain. Would it not seem
incredible to the Ladies, were I to tell them, that the period
approaches, when upwards of a hundred _Epic Poems_ will be exposed to
public view, most of them nearly of equal length, and many of them
nearly of equal merit, with the one which I have here taken into
consideration; illustrated moreover with elegant etchings, designed
either as _hieroglyphical_ explanations of the subject, or as _practical
puns_ on the name of the author?--And yet in truth so it is,--and on
this subject I wish to give a word of advice to my countrymen.
Public-domain text, read in full here on John Shaqi.
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