Parodies of the works of English & American authors, vol. I
General
Parodies of the works of English & American authors, vol. I
Parodies
PARODIES
OF THE WORKS OF
ENGLISH & AMERICAN AUTHORS,
COLLECTED AND ANNOTATED BY
WALTER HAMILTON,
_Fellow of the Royal Geographical and Royal Historical Societies;
Author of "A History of National Anthems and Patriotic Songs," "A
Memoir of George Cruikshank;" "The Poets Laureate of England;" "The
Æsthetic Movement in England," etc._
"We maintain that, far from converting virtue into a parodox,
and degrading truth by ridicule, PARODY will only strike at what
is chimerical and false; it is not a piece of buffoonery so much
as a critical exposition. What do we parody but the absurdities
of writers, who frequently make their heroes act against nature,
common-sense, and truth? After all, it is the public, not we, who
are the authors of these PARODIES."
* * * * *
D'ISRAELI'S Curiosities of Literature.
* * * * *
VOLUME I,
CONTAINING PARODIES OF THE POEMS OF
ALFRED, LORD TENNYSON,
HENRY WADSWORTH LONGFELLOW,
BRET HARTE, THOMAS HOOD,
AND THE
REVEREND C. WOLFE.
* * * * *
REEVES & TURNER, 196, STRAND, LONDON, W.C.
* * * * *
1884.
_"Le sujet que l'on entreprend de parodier doit toujours être un ouvrage
connu, célèbre, estimé. La critique d'une pièce médiocre ne peut jamais
devenir intéressante, ni piquer la curiosité. Il faut que l'imitation soit
fidèle, que les plaisantéries naissent du fond des choses, et paraissent
s'être présentées d'elles-mêmes, sans avoir coûté aucune peine."_
_Mémoire sur l'origine de la Parodie, etc. Par M. l' Abbé Sallier_, 1733.
_"It was because Homer was the most popular poet, that he was most
susceptible of the playful honours of the Greek parodist; unless the
prototype is familiar to us, a parody is nothing!"_
ISAAC D'ISRAELI.
THOBURN & CO., St. Bride's Steam Press, 136, Salisbury Square, Fleet
Street, London, E.C.
PREFACE.
[Illustration]
When this Collection was originally projected, it seemed so unlikely
to receive much support from the general public that it was intended
to publish a few only of the best Parodies of each author.
After the issue of the first few numbers, however, it became evident
that "a hit--a palpable hit--" had been made, the sale rapidly
increased, and subscribers not only expressed their desire that the
collection should be made as nearly complete as possible, but by the
loans of scarce books, and copies of Parodies, helped to make it so.
Public-domain text, read in full here on John Shaqi.
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