Parodies of the works of English & American authors, vol. I
General
Parodies of the works of English & American authors, vol. I
Parodies
Here grouped are strains of parody in rhyme,
Now classified and placed in order straight,
Let it suffice it for the present time
That some be old, while some are born but late,
A careful choice, from all the crowd that wait,
Of those that in forgotten serials stay,
Or are, in passing journals, tossed away.
Folks say a wizard to a common King,
One April-tide such wondrous jest did show
That in a mirror men beheld each thing,
Like, yet unlike, and saw the pale nose glow,
While rosy face looked white as fallen snow,
Each visage altered in such comic way
That those who came to court, remain'd to play.
So with these many Parodies it is,
If you will read aright and carefully,
Not scathing satire, nor malicious hiss
For lack of beauty in the themes to see,
Nor jeerings coarse, at what men prize, as we
But jest to make some little changeling play
Its pranks in classic robes, all crowned with bay.
J. W. GLEESON WHITE,
CHRISTCHURCH.
_March_, 1884.
* * * * *
On the 1st March, 1884, a bust of Longfellow (by Mr. T. Brock, A.R.A.) was
unveiled in Poet's Corner, Westminster Abbey. It is placed between the
graves of Dryden and Cowley, and bears this inscription:--
LONGFELLOW.
"This bust was placed among the memorials of the poets of England by
the English admirers of an American poet, 1884."
and on the sides are the dates--
"Born at Portland, U.S.A., February 27, 1807.
Died at Cambridge, U.S.A., March 24, 1882."
Mr. J. Russell Lowell was present at the ceremony, and gave an address, in
which he stated that--
"Longfellow's mind always moved straight towards its object, was
always permeated with the emotions, and gave them the frankest,
the sincerest, and, at the same time, the most simple expression;
and never was there a private character more answerable to public
performance than that of Longfellow. His nature was consecrated
ground, into which no unclean spirit could ever enter."
Public-domain text, read in full here on John Shaqi.
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