Parodies of the works of English & American authors, vol. III
General
Parodies of the works of English & American authors, vol. III
Parodies
RICH AND RARE WERE THE GEMS SHE WORE 238
Rich and furred was the robe he wore, _T. Hook_ 238
Ragged and rough were the clothes she wore 239
Rich and rare were the arms she bore 239
Rough and red was the cloak she wore 239
Quaint and queer were the gems she wore 264
THERE IS NOT IN THE WIDE WORLD 239
There is not in this city an alley so sweet. National
Omnibus, 1831 239
There is not in the palace. National Omnibus 239
There’s not in Saint Stephen’s. Figaro in London 239
There is not in all London. Punch, 1842 240
There’s not in the wide world a country so sweet 240
There’s not in the wide world an odour less sweet 240
O, There’s not in the West-end, Punch. 1872 240
There’s not in all London a tavern so gay. _G. W. M.
Reynolds_ 240
On Stephen Kemble 240
The Irish welcome 241
The Trifle. Punch, 1852 241
The Bitter cry of outcast London. Two parodies from
the Weekly Dispatch, by _T. A. Wilson_ and _Aramis_ 241
The meteing of the waters. Punch, 1884 241
The Thames. _B. Saunders_. 1884 242
The House of Lords. H. B., 1884 242
There is not to the poet. _E. A. Horne_, 1884 242
The Heiress. _Aramis_. 1884 242
The Club Smoking-room. _J. Pratt_, 1884 242
The Meeting of the Emperors. Moonshine, 1884 243
There’s not in old Ireland. _Walter Parke_ 270
Come, send round the wine. 1825 243
BELIEVE ME, IF ALL THOSE ENDEARING YOUNG CHARMS 243
Mr. Colburn to Lady Morgan’s Books, 1831 243
On the House of Lords and Reform. Figaro in London,
1831 243
Believe me, dear Susan. Diogenes, 1854 243
To a lady in a crinoline. Punch, 1857 244
John Bull to Paddy, 1867 244
John Bright to his place, 1869 244
To an Ancient Coquette 244
On College Don 244
On Roast pork. _F. B. Doveton_, 1881 244
On Tory election promises, 1886 244
Oh, blame not the Bard. Fun, 1883 245
Oh! the days are gone when beauty bright. 1869 245
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account