It is no easy task, however, to do this; and to tell the full story of
Pascal’s life is no longer possible. Its records, numerous as they are,
are incomplete; all fail more or less at an interesting point of his
career. They leave much unexplained; and the most familiar confidences
of his sisters and niece, who have preserved many interesting details
regarding him, have not entirely removed the veil from certain aspects of
his character. The well-known life by Madame Périer, his elder sister,
is of course the chief authentic source of his biography. It was written
shortly after his death, although not published for some time later; and
nothing can be more lively, graphic, and yet dignified, than its
portraiture of his youthful precocity, and, again, of the devotions and
austerities of his later years. But it leaves many gaps unsupplied.
Like other memoirs of the kind, it is written from a somewhat
conventional point of view. No one, as M. Havet says, was nearer to him
in all senses of the expression, or could have given a more true and
complete account of all the incidents in his life; but she was not only
his sister, but his enthusiastic friend and admirer, in whose eyes he was
at once a genius and a saint—a man of God, called to a great mission. It
was from a consciousness of this mission, and the full glory of his
religious fame, that she looked back upon all his life; and the lines in
which she draws it are coloured, in consequence, too gravely and
monotonously. Certain particulars she drops out of sight altogether.
These are to be found scattered here and there, sometimes in his own
letters, more frequently in the letters of his younger sister,
Jacqueline, and in a supplementary memoir, written by his niece,
Marguerite Périer, all of which have been carefully published in our
time, and made accessible to any reader. {3} The researches of M.
Cousin, M. Faugère, and M. Havet, the curious and interesting monograph
of M. Lélut, {4a} have thrown light on various points; while the copious
portraiture of Sainte-Beuve {4b} has given to the whole an animation and
a desultory charm which no English pen need strive to imitate.
Public-domain text, read in full here on John Shaqi.
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