This is the report of the Provincial; and if it is Pascal himself who speaks, he had little idea that his own _badinage_ would be echoed by grave critics, in after-years, as not in excess of the actual merit of his productions. “The best comedies of Molière,” says Voltaire, “have not more wit than the first Provincial Letters.” It must be admitted that the brightness of the wit is somewhat dimmed after the lapse of two centuries. Even the genius of Pascal fails to lighten all the tortuous absurdities of controversies so purely verbal, and there is an occasional baldness in the clever device of pitting Molinist, New Thomist, and Jansenist against one another. The professed artlessness of the speeches is at times too apparent. But nothing, upon the whole, can be finer than the address with which this is done; the changes of scene and the turns of the dialogue are managed with admirable felicity; there is an exquisite fitness and Socratic point in all the evolutions of the argument, which we feel even now when we see so clearly behind the scenes, and know that Molinist and New Thomist must have had a good deal more to say for themselves. We have only to imagine the atmosphere of the Sorbonne, or the wider social atmosphere throughout France in the seventeenth century, impregnated to its core by a subtle controversial ecclesiasticism, to realise the impression made by “the Small Letters.” The question everywhere was, Who could have written them? There seems at first to have been no suspicion of Pascal. He had previously only been known as a scientific writer; and the secret was, of course, jealously guarded. Although planned at Port Royal des Champs, he did not remain there while engaged in their composition. He repaired, as we have already said, to Paris, and after a while took up his abode “at a little inn opposite to the Jesuit College of Clermont, just behind the Sorbonne.” Here he lodged with his brother-in-law, M. Périer, who had lately come to Paris; and here, too, the latter was visited by Père Defrétat, a Jesuit and distant relative, who came to tell him that the suspicions of the Society were beginning to point to Pascal. All the while Pascal was busy in the room below; and, “behind the closed curtains of the bed by the side of which they were talking, a score of fresh impressions of the seventh Letter were laid out to dry.” {132}