At this crisis (February 1639) Richelieu took a fancy to have Scudéry’s tragi-comedy of “L’Amour Tyrannique” acted before him by young girls. The Court lady who undertook the management of the piece appealed to Jacqueline Pascal, whose accomplishments as a girl-actor were well known, to assist in its performance. She was then thirteen years of age. The elder sister, who, in the enforced absence of the father, was acting as the head of the family, replied, with feeling, that “they did not owe any favour to M. le Cardinal, who had not acted kindly towards them.” The request, however, was pressed, in the hope that some good might come out of the affair to the family, and Jacqueline was allowed to appear. The result was all that could be anticipated. The Cardinal, charmed by the grace and accomplishment of her acting, received her cordially when she ventured to approach him with a petition on behalf of her father, thrown into a form of verses similar to many which she had already composed. The verses have been preserved with her other pieces, and have been thus rendered:—{12} “O marvel not, Armand, the great, the wise, If I have failed to please thine ear, thine eyes; My sorrowing spirit, torn by countless fears, Each sound forbiddeth save the voice of tears. With power to please thee wouldst thou me inspire?— Recall from exile now my hapless sire.” She has herself described, in an interesting letter to her father, {13} the whole incident, and the result of her intercession. Having told how the Cardinal had been previously well prepared, and had the true state of the case explained in reference to her father, who appears to have been in no degree to blame in the agitation which called forth the displeasure of the Government, she says that—