This story was originally more dramatic than as there presented, and afforded good scope for mimicry and buffoonery, neither of which, to my shame, did I spare. I never knew the “magic of a name” till I used that of Mr. Higginbotham. Often as I repeated it, there were louder bursts of merriment than those which responded to what, in my opinion, were more legitimate strokes of humor. The success of the piece was incalculably heightened by a stiff cue of horsehair, which Little Pickle, in the spirit of that mischief-loving character, had fastened to my collar, where, unknown to me, it kept making the queerest gestures of its own in correspondence with all mine. The audience, supposing that some enormous joke was appended to this long tail behind, were ineffably delighted, and gave way to such a tumult of approbation that, just as the story closed, the benches broke beneath them and left one whole row of my admirers on the floor. Even in that predicament they continued their applause. In after times, when I had grown a bitter moralizer, I took this scene for an example how much of fame is humbug; how much the meed of what our better nature blushes at; how much an accident; how much bestowed on mistaken principles; and how small and poor the remnant. From pit and boxes there was now a universal call for the Story-Teller. That celebrated personage came not when they did call to him. As I left the stage, the landlord, being also the postmaster, had given me a letter with the postmark of my native village, and directed to my assumed name in the stiff old handwriting of Parson Thumpcushion. Doubtless he had heard of the rising renown of the Story-Teller, and conjectured at once that such a nondescript luminary could be no other than his lost ward. His epistle, though I never read it, affected me most painfully. I seemed to see the Puritanic figure of my guardian standing among the fripperies of the theatre and pointing to the players,—the fantastic and effeminate men, the painted women, the giddy girl in boy’s clothes, merrier than modest,—pointing to these with solemn ridicule, and eying me with stern rebuke. His image was a type of the austere duty, and they of the vanities of life.