Passed by the censor : $b The experience of an American newspaper man in FranceWilliams, Wythe
History
Passed by the censor : $b The experience of an American newspaper man in France
Williams, Wythe
World War, 1914-1918 -- Personal narratives, American
The car whizzed down the straight country road. We were trying to
make night quarters thirty kilometers away. The dusk was already upon
us--and the rain. Every night for a week the rain had come at dusk.
We were well behind the battle lines, but the Germans had held that
countryside only a few days before. Many of them still lurked in the
dense woods. At dusk they were apt to shoot at passing motors. If
they killed the occupants, they secured clothes and credentials and
attempted cutting through to their own lines. The night before, a
French general had been killed on the road we were passing. Therefore
it was not well to be abroad at dusk, too far northward on the
battlefield of the Aisne. But we had cast a tire and lost considerable
time. It was necessary to go forward or strike back toward Paris.
To remain in the open held an additional risk of being stopped by a
British patrol--we were near their lines--and the British were not
so polite as the French about requisitioning big touring cars. Our
credentials were French.
So we dipped into the night down a long road that ran between solid
shadows of towering trees, behind which ran the continuous hedge of
the French countryside, making an ideal hiding place for enemies. The
rain increased and so did the cold. Our French driver struggled into an
ulster and we crouched low in the body of the limousine, watching the
whirling road revealed by our powerful headlights fifty yards in front
of the car.
Suddenly came a sharp cry. The chauffeur crashed on the brakes and the
car slid to a standstill. I knew that cry from many a novel I had read,
but I had never actually heard it before. It was the famous "Qui vive"
or "Who goes there?" of the French army. We sat waiting. We saw no one.
The rain poured down.
The cry was repeated. A soldier stepped into the road and stood in the
light of our lamps about thirty feet away. His rifle was half thrown
across his arm and half aimed towards us. He was a tall, handsome chap
wearing a long coat buttoned back at the bottom away from his muddy
boots. His cap was jammed carelessly over one eye. He bent forward and
peered at us under our lights, which half blinded him. Then we saw two
dusky shadows at either side of the car. We caught the steel flash of
bayonets turned toward us.
The chauffeur saw them too, for he cried out nervously, "Non, non!" The
soldier in the road ignored him. In the dramatic language of France
his "_Avancez--donnez le mot de la nuit_" sounded far more impressive
than the English equivalent about advancing to give the countersign. He
spoke the words simply, a little monotonously, with an air of having
done it many times during his period of watch. Then he bent lower and
peered more intently under the lights, brushing one arm across his face
as though the pelting rain also interfered with his business of seeing
in the night.
Public-domain text, read in full here on John Shaqi.
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