Great Britain -- Social conditions -- 19th century; Social problems
sympathy, by anticipating the plea of poetic and humane
conservatism, and impressing the reader with the conviction that
the satirist himself has the truest love for everything old and
excellent in English land and institutions, and a genuine respect
for the basis of truth in those whom he exposes.
We are at some loss how to state what strikes us as the fault of
this remarkable book, for the variety and excellence of the
talent displayed in it is pretty sure to leave all special
criticism in the wrong. And we may easily fail in expressing the
general objection which we feel. It appears to us as a certain
disproportion in the picture, caused by the obtrusion of the
whims of the painter. In this work, as in his former labours,
Mr. Carlyle reminds us of a sick giant. His humours are
expressed with so much force of constitution that his
fancies are more attractive and more credible than the sanity of
duller men. But the habitual exaggeration of the tone wearies
whilst it stimulated.
It is felt to be so much deduction from the universality of the
picture. It is not serene sunshine, but everything is seen in
lurid storm lights. Every object attitudinises, to the very
mountains and stars almost, under the refraction of this
wonderful humorist; and instead of the common earth and sky, we
have a Martin's Creation or Judgment Day. A crisis has always
arrived which requires a _deus ex machina._ One can hardly
credit, whilst under the spell of this magician, that the world
always had the same bankrupt look, to foregoing ages as to us--as
of a failed world just re-collecting its old withered forces to
begin again and try to do a little business. It was perhaps
inseparable from the attempt to write a book of wit and
imagination on English politics, that a certain local emphasis
and love of effect, such as is the vice of preaching, should
appear, producing on the reader a feeling of forlornness by the
excess of value attributed to circumstances. But the splendour
of wit cannot out--dazzle the calm daylight, which always shows
every individual man in balance with his age, and able to work
out his own salvation from all the follies of that, and no such
glaring contrasts or severalties in that or this. Each age has
its own follies, as its majority is made up of foolish young
people; its superstitions appear no superstitions to itself;
and if you should ask the contemporary, he would tell you, with
pride or with regret (according as he was practical or poetic),
that he had none. But after a short time, down go its follies
and weakness and the memory of them; its virtues alone remain,
and its limitation assumes the poetic form of a beautiful
superstition, as the dimness of our sight clothes the objects in
the horizon with mist and colour. The revelation of Reason is
this of the un-changeableness of the fate of humanity under all
its subjective aspects; that to the cowering it always cowers,
to the daring it opens great avenues.
Public-domain text, read in full here on John Shaqi.
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