Drama -- History and criticism; English essays -- 20th century; Literature -- History and criticism
When we had convoyed him in safety to Leicester Fields, and he had
descended from his coach at the door, he straightway engaged in a
conference with the door-keeper, who is a notable prating gossip, and
stroak’d the page-boy upon the head, bidding him be a good child and mind
his book. As soon as we were in our places my old friend stood up and
looked about him with that pleasure which a mind seasoned with humanity
naturally feels in itself, at the sight of a multitude of people who seem
pleased with one another, and partake of the same common entertainment.
He seemed to be no less pleased with the gay silks and satins and
sarsenets and brocades of the ladies, but pish’d at the strange sight of
their bare backs. “Not so bare, neither,” I whispered to him, “for if
you look at them through your spy-glass you will see they wear a little
coat of paint, which particularity has gained them the name of Picts.” “I
warrant you,” he answered, with a more than ordinary vehemence, “these
naked ones are widows—widows, Sir, are the most perverse creatures in the
world.” Thinking to humour him, I said most like they were war widows,
whereon the good knight lifted his hat to our brave fellows who fought in
the Low Countries, and offered several reflections on the greatness of
the British land and sea forces, with many other honest prejudices which
naturally cleave to the heart of a true Englishman.
Luckily, the Muscovites then began dancing and posturing in their
pantomime which they call _Petrouchka_ and the old gentleman was
wonderfully attentive to the antics of the three live _fantoccini_. When
the black fellow, as he called the Moor, clove the head of his rival with
the scimitar, the knight said he had never looked for such barbarity from
a fellow who, but a moment ago, was innocently playing a game of ball,
like a child. What strange disorders, he added, are bred in the minds
of men whose passions are not regulated by virtue, and disciplined by
reason. “But pray, you that are a critic, is this in accordance with your
rules, as you call them? Did your Aristotle allow pity and terror to be
moved by such means as dancing?” I answered that the Greek philosopher
had never seen the Muscovites and that, in any case, we had the authority
of Shakespeare for expecting murder from any jealous Moor. “Moreover,
these Muscovites dance murder as they dance everything. I love to shelter
myself under the examples of great men, and let me put you in mind of
Hesiod, who says, ‘The gods have bestowed fortitude on some men, and on
others a disposition for dancing.’ Fortunately the Muscovites have the
more amiable gift.” The knight, with the proper respect of a country
gentleman for classick authority, was struck dumb by Hesiod.
Public-domain text, read in full here on John Shaqi.
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